Back to work, people

Production on “Dallas’s” third season begins today. There isn’t a lot of news to report, although insiders have dropped a few tidbits about what fans can expect when TNT begins televising the episodes next year. If you want to be surprised, stop reading here.

• Jenna Wade may return. The show’s writers are toying with bringing back Bobby’s first love, TV Guide reported last month. Said Executive Producer Cynthia Cidre: “It’s on our [planning] wall, and we’re thinking about it seriously.” Priscilla Presley, who played Jenna for five seasons on the original “Dallas,” stoked the speculation a few days later when she tweeted, “What do you think would happen if Jenna Wade returned to Dallas?”

• Cliff Barnes and Judith Ryland will return. Dallas Decoder has confirmed Ken Kercheval will be back as Cliff Barnes, but there’s no word on whether Audrey Landers will return as Afton Cooper. Meanwhile, during a recent Twitter exchange with “Dallas” writer Aaron Allen, fans expressed hope Judith Light’s character, Judith Ryland, will return in Season 3. Allen’s response: “Judith is back!”

• Good news for Linda Gray and Jordana Brewster. During another Twitter exchange with fans, Allen offered this nugget: “If you’re hoping for more Elena and Sue Ellen driven stories, you’ll LOVE season 3.” He also tweeted: “Bobby and Ann have kind of a slow burning story this year. It gets bigger in the second half.” (Sounds like a good time for Jenna to show up, no?)

• More new characters are on their way. Get ready to meet Nicholas, whom Showbiz411 describes as “a powerful billionaire businessman. Self-made. Rough childhood. Raised himself up by his bootstrap. He’s charming, sophisticated, smart, cunning.” Elsewhere, TV Guide’s William Keck tweeted about another newbie: Heather, whom he described as “a pretty tomboy ranch hand … who is attracted to bad boys.”

• New loves, old traditions. Christopher will get a new love interest, Jesse Metcalfe told “Access Hollywood” last week. (You don’t suppose it’s Heather, do you?) Meanwhile, Brenda Strong and Julie Gonzalo tweeted pictures of themselves and Emma Bell on horseback this week, leading fans to wonder if they’re preparing for an episode set at the Ewing Rodeo. Giddy up!

So when will fans get to see the Ewings back in action? TNT, which ordered 15 episodes, hasn’t announced a premiere date. One possibility: the show will begin in the winter and continue into the spring, then take a break and resume in the summer.

Let J.R. speak

During the first two seasons of TNT’s “Dallas,” the show’s regular cast members took turns delivering the “Previously on ‘Dallas’” voiceover that starts each episode. Longtime fan Joe Siegler has an idea: Why not use Larry Hagman’s voiceover exclusively, beginning with the third-season episodes?

As Siegler sees it, this would honor Hagman and ensure his presence remains in each episode. It would almost be like ol’ J.R. is watching over his family and bringing the audience up to speed on their doings each week.

This week, Siegler took to Twitter and ran his suggestion past a few cast members. Brenda Strong retweeted his message and added, “Great idea!” We agree. Make it happen, TNT.

Et cetera

• Don’t miss Dallas Divas Derby’s interview with Kenneth Larsen, a talented artist and “Dallas” enthusiast who recently tweeted terrific drawings of Hagman and Gray.

• This week, I’m asking fellow fans to choose their all-time favorite “Dallas” cliffhanger. Head over to Dallas Decoder’s Facebook page to weigh in.

• Like to discuss “Dallas”? If so, consider dropping by one of my weekly #DallasChats, held Monday nights at 9 Eastern on Twitter. You’ll have fun, I promise!

“Drill Bits,” a roundup of news and trivia about TNT’s “Dallas,” is published periodically.

Tweethearts

If you’re not following the stars of TNT’s “Dallas” on Twitter and Instagram, you’re missing some of the best sources of news about the show’s third season.

Since production began last week, cast members have been tweeting up a storm, even using their own Season 3 hashtag: #DallasS3. On the first day of filming, Patrick Duffy shared a picture of himself and Josh Henderson standing on a soundstage, which Duffy captioned, “First scene of the first episode of season #3!!” Last night, the social media feeds lit up with a shot of Henderson and Julie Gonzalo embracing in a barn. Besides highlighting the couple’s overall adorableness, the image also shows Henderson sporting what appears to be Larry Hagman’s famous J.R. wristwatch.

Indeed, the tweets offer a glimpse of the new looks that costume designer Rachel Sage Kunin has created for the third-season episodes, which are slated to debut in early 2014. On “Dallas’s” new Instagram feed, followers were treated to a shot of Jordana Brewster donning a fitted red dress, while Linda Gray tweeted a picture of herself looking runway-ready while standing on what looks like the show’s conference room set. (Study the image and you’ll also see a monitor displaying a “Ewing Global” logo. Will this be the name of the family’s company in Season 3?)

In another shot, Brenda Strong wears a turquoise necklace while joining Gray and Emma Bell on the Southfork patio. Meanwhile, it appears Christopher Ewing will have a beard next season, based on the images that Jesse Metcalfe has been sharing with his Twitter and Instagram followers. Could the facial hair signal a darker turn for Christopher? Perhaps more tweets will tell.

Give us the juice

Not all of the Season 3 teases are coming via social media. Last weekend, the Dallas Morning News caught up with Henderson at the real-life Cattle Baron’s Ball, where the actor declared, “Season 3 has the juice. It’s going to be the absolute juiciest.”

“Drill Bits,” a roundup of news and trivia about TNT’s “Dallas,” is published periodically.

It’s one of the new “Dallas’s” greatest moments: Soon after Rebecca Sutter Ewing reveals that she’s actually Pamela Rebecca Barnes, she receives a visit from J.R. Ewing. He vows to run her out of town, just like he did with her namesake aunt. Says J.R.: “You’re not the first Pam to fox her way into the henhouse. I’m 1 for 1 on flushing out Pamelas. And I plan on being 2 for 2.”

The scene, which appears in “Venomous Creatures” (Season 2, Episode 2), brings to mind one of the famous moments from the original “Dallas:” J.R.’s clash with Pam in “Digger’s Daughter” (Season 1, Episode 1). Like the 2013 version, the 1978 edition also ends with J.R. delivering an ominous threat: “I’m willing to spend some money now to avoid any inconvenience. But if you insist upon being driven away — which you surely will be — you’re going to come out of this without anything, honey.”

More similarities: In both scenes, J.R. refers to Cliff, although not by name. In “Digger’s Daughter,” he asks Pam, “Did your brother put you up to this, Miss Barnes?” In “Venomous Creatures,” he tells Pamela, “I’m just here to look my enemy in the eye. And since your daddy is about 2 feet shorter than I am, I guess you’ll have to do.” Also, marriage is a subtext of both scenes: The older episode begins soon after Bobby and Pam’s wedding, while the newer segment shows Christopher and Pamela facing off in divorce court.

More than anything, the two scenes showcase the genius of Larry Hagman. In “Digger’s Daughter,” Hagman is still getting to know his character, but he’s already figured out that playing J.R. will require a healthy dose of mischief. I love when Bobby interrupts J.R. and Pam’s conversation and reminds his older brother that “Mama don’t like business talk with supper on the table.” Hagman breaks into a wide grin as he delivers J.R.’s next line: “Well, you know Mama. She’s so old-fashioned.” By 2013, Hagman’s sense of humor was as sharp as ever. Witness his parting line to Frank, Pamela’s pseudo-brother/henchman: “How does it feel to be a poodle?”

I also admire how both of Hagman’s co-stars equate themselves in these scenes. Victoria Principal brims with righteous indignation when J.R. tries to buy off Pam; it’s an early display of the on-screen magic she and Hagman would perfect during the next decade. Julie Gonzalo displays a spark with the actor too, suggesting she would’ve become a worthy sparring partner. It’s a shame that promise will never be realized, but aren’t we lucky we got to see one last showdown between J.R. and a fox named Pamela?

‘You’re Going to Come Out of this Without Anything, Honey’

A threat

In “Digger’s Daughter,” “Dallas’s” first episode, J.R. (Larry Hagman) shows Pam (Victoria Principal) around the Southfork grounds.

J.R.: Did your brother put you up to this, Miss Barnes?

Pam looks stunned.

J.R.: Well, I don’t think that’s an unusual question to ask, Miss Barnes.

PAM: [Angrily] Mrs. Ewing. Excuse me, please.

She begins to walk away. J.R. grabs her arm. She stops.

J.R.: Perhaps it would be more appropriate to ask what sort of settlement you’d require to annul this farce.

PAM: Let go of my arm.

J.R.: I’m willing to spend some money now to avoid any inconvenience. But if you insist upon being driven away — which you surely will be — you’re going to come out of this without anything, honey.

Bobby (Patrick Duffy) approaches.

BOBBY: Hi there. What’s going on?

J.R.: Oh, just talking a little business.

BOBBY: Mama don’t like business talk with supper on the table, J.R.

J.R.: [Chuckles] Well, you know Mama. She’s so old-fashioned.

BOBBY: [To Pam] Come on, honey. Let’s go.

J.R. smiles as he watches them walk away.

‘I’m 1 for 1 on Flushing Out Pamelas’

A promise

In “Venomous Creatures,” a second-season “Dallas” episode, J.R. visits Pamela (Julie Gonzalo) in the Barnes Global boardroom.

PAMELA: What are you doing here, J.R.?

J.R.: I’m just here to look my enemy in the eye. And since your daddy is about 2 feet shorter than I am, I guess you’ll have to do.

PAMELA: I must have done something right to deserve a visit from you.

J.R.: Congratulations on your win in court. Now divorce court, if you want some tips, I can offer you a few. I’m an expert authority.

PAMELA: I already have my experts.

J.R.: Oh, and if you’ve got it in your pretty little head to go after Ewing Energies in the divorce, you won’t be dealing with Christopher. You’ll be dealing with me.

PAMELA: You’re not a part of that company.

J.R.: No, no. But I’m part of that family. You’re not the first Pam to fox her way into the henhouse. I’m 1 for 1 on flushing out Pamelas. And I plan on being 2 for 2.

What do you think of J.R.’s clashes with Pam and Pamela? Share your comments below and read more “Dallas Parallels.”

Season 3, uncovered

TV Guide’s ace columnist, William Keck, delivered a must-read preview of “Dallas’s” third season earlier today. Now it’s time for fans to fill in the blanks with their own theories about what we might see when TNT begins televising the new episodes on Monday, February 24.

• One of Keck’s most intriguing tidbits: The new season will feature a pregnancy storyline. Almost any of the show’s leading ladies could become expectant mothers, but my money is on Emma (Emma Bell). Imagine the complications that would ensue if John Ross (Josh Henderson) impregnates his wild-child mistress! Pamela is also a possibility, although would the producers force Julie Gonzalo to wear a padded tummy for a second season in a row? One out-there contender: Suppose Ann (Brenda Strong) delivered a late-in-life bundle of joy to Bobby (Patrick Duffy)?

• The new season will also include a shooting, a death and a wedding, Keck reports. I have no idea which characters might get shot and/or die, but the nuptials seem easy to figure out: After John Ross and Pamela’s quickie wedding in Las Vegas at the end of Season 2, aren’t they due for a lavish Southfork ceremony?

• According to Keck, Christopher (Jesse Metcalfe), who sports a beard in the Season 3 cast portrait that accompanies the TV Guide article, will meet his new love interest Heather (AnnaLynne McCord) when he stumbles upon her fighting with her ranch hand ex-husband. Again, this is pure speculation, but a recent tweet from the set suggests Donny Boaz, who appeared last season as Bo, the ranch hand who supplied Emma will pain pills, will be back next season. Could he be Heather’s ex?

• Keck tells us we’ll finally meet Joaquin, the mystery man Elena (Jordana Brewster) met in Mexico during the second-season finale. The article doesn’t mention who has been cast in this role, but I wonder: Will Nicolas Trevino, the new character played by Juan Pablo Di Pace, turn out to be Joaquin?

Consider this: On April 23, about a week after TNT showed the finale, the Elena character tweeted, “Can’t wait to introduce you all to my uncle Joaquin. He’s quite a character. And a potentially powerful ally.” This tweet is no longer in the character’s feed. Could this mean the producers’ vision of Joaquin has evolved from someone avuncular to someone younger like Di Pace?

• Sue Ellen (Linda Gray) will continue drinking in Season 3 after discovering John Ross is cheating on Pamela. According to Keck, “Sue Ellen’s struggle will climax in a midseason cliffhanger similar to one of the original series’ memorable season enders.” What could this mean? Is Sue Ellen going to wreck her car? Shoot someone? Make another movie?

• Keck reports Bobby might cheat on Ann, either with a “familiar face from the past (Priscilla Presley’s Jenna Wade?) or a lovely newcomer.” Nothing to add here, except this: !

• It looks like “Dallas” won’t forget Larry Hagman anytime soon. Showrunner Cynthia Cidre tells Keck, “We open with Bobby at the Ewing cemetery looking at the graves of J.R., Miss Ellie and Jock, saying, ‘I guess I’m the only one left now.’” The only question raised by this revelation: How many tissues will we need to get through that scene?

What do you make of the storylines previewed by TV Guide’s William Keck? Share your ideas in the comments section below.

TV Guide’s William Keck delivered another early Christmas present for “Dallas” fans today: a video that mixes snippets from the TNT show’s new season with clips from older episodes, all set to the tune of “We Wish You a Merry Christmas.”

The video begins on a warm-and-fuzzy note, with a voiceover from John Ross (Josh Henderson), who says, “Whatever battles we face from here on, we fight together.” We also hear Bobby (Patrick Duffy) declare, “The Barnes/Ewing feud is over,” and then Sue Ellen (Linda Gray) says, “We’ve all worked so well together since J.R. died. I’d like to see that truce continue.”

Of course, this is “Dallas,” so things quickly go downhill from there. The new scenes show Elena (Jordana Brewster) firing a gun at a shooting range and hitting a male-shaped target in, um, a very sensitive spot; an angry Christopher (Jesse Metcalfe) slamming his hand on a table; and Judith (Judith Light) hitting Harris (Mitch Pileggi) with a cane.

There are also new shots of John Ross and Christopher embracing in what appears to be the Southfork kitchen and workers erecting a “Ewing Global” sign in office space.

The older footage includes second-season shots of Pamela (Julie Gonzalo), Ann (Brenda Strong), Emma (Emma Bell), Drew (Kuno Becker) and Cliff (Ken Kercheval).

Watch for yourself and then share your thoughts below.

Who’ll it be?

It’s almost time to announce Dallas Decoder’s Person of the Year, a designation I give to the individual — or individuals — I feel made the most important contribution to the “Dallas” franchise during the past 12 months.

In 2012, I chose Larry Hagman for the inaugural honor in recognition of his work during TNT’s first season of “Dallas.” This year’s award may go to another actor or someone from behind the scenes, or it could go to a group of people. (It’s a lot like Time magazine’s version, although mine is much more prestigious, don’t you think?)

Contenders include the “Dallas” VIPs pictured above: Executive Producer Michael M. Robin, Linda Gray, Jesse Metcalfe, Brenda Strong, Executive Producer Cynthia Cidre, Patrick Duffy, Josh Henderson, Jordana Brewster and Julie Gonzalo.

Before I reveal my selection, I want to hear your choices. Share them in the comments section below, post them on Dallas Decoder’s Facebook page or tweet them to @DallasDecoder.

I’ll reveal Dallas Decoder’s Person of the Year for 2013 during my next #DallasChat on Monday, December 16. I hope to see you there.

No two “Dallas” episodes invite comparison as much as “Winds of Vengeance” and “Blame Game.” Both segments — which debuted in 1978 and 2013, respectively — depict armed intruders invading Southfork and holding the Ewings hostage. The two storylines play on common themes, including stubborn pride and misguided justice, but the episodes also demonstrate the distinctions between the original “Dallas” and its TNT sequel.

In “Winds of Vengeance,” the old show’s fourth episode, blue-collar Luther Frick discovers his wife Wanda spent the night in a Waco motel with a wealthy stranger from out of town: J.R. Ewing. Frick and Wanda’s brother, Payton Allen, track J.R. to Southfork, where they hold him, Ray and the Ewing women at gunpoint in the living room as a hurricane bears down outside. Frick believes J.R. raped Wanda, so he vows to get “justice” for himself by having sex with Sue Ellen while Allen sets his sights on Lucy. At the last minute, Jock and Bobby arrive, punch out Frick and Allen and send the creeps on their way.

In “Blame Game,” one of TNT’s second-season “Dallas” episodes, slimy oilman Vicente Cano, who went to jail after tangling with J.R. and John Ross, escapes and marches into Southfork with a band of armed thugs. Cano believes the Ewings owe him the methane technology that Christopher developed, and so Cano and his gang hold the family hostage in the living room while Christopher retrieves his methane prototype from the office. When he returns and hands over the equipment, Cano grabs Elena and begins to make his escape, but her brother Drew arrives at the last minute and shoots Cano while Bobby and John Ross overpower the rest of his gang.

There are plenty of similarities here, beginning with the motivations of the villains. When Frick and Allen pull their guns on the Ewings, J.R. assumes they’re robbers and tells them they can have all the cash in the family safe. “We ain’t no thieves. We don’t want your money,” Frick says. Cano, in the meantime, believes Christopher’s methane technology will be lucrative, but profit isn’t his primary goal. When he bursts into Southfork, he slaps John Ross and says, “Did you think you could get away with turning me into the authorities and painting me as the one with dishonor?”

The two episodes also show how the bad guys humiliate the Ewings by exposing their secrets. In “Winds of Vengeance,” when Frick announces J.R. raped Wanda, he turns to Sue Ellen and asks, “You like him any better now, knowing what a hotshot lover-boy he is?” Sue Ellen’s response — “Him?” — causes Allen to laugh uproariously. Something similar happens in “Blame Game” when Cano tries to intimidate Christopher by threatening Pamela, only to realize John Ross’s ex-fiancée Elena has become the object of Christopher’s affection. “You Ewing boys share after all. I love it!” Cano exclaims.

There are also quite a few differences between the episodes. The hostage situation in “Winds of Vengeance” unfolds slowly, giving the actors plenty of time to explore the mental trauma their characters are experiencing by being held against their will. Linda Gray steals the show with her gutsy performance in the scene where Frick forces Sue Ellen to sing for him, but there are also examples of the Ewing women resisting their captors. In one scene, Sue Ellen smacks Allen and tells him not to touch her. Later, Allen tries to make Pam dance with him, but she fights back and screams, “I’ll kill you!”

Contrast this with the hostage situation in “Blame Game,” which comes at the end of that episode and is interspersed with scenes from Ann’s trial. This gives the segment a faster pace overall, but it also robs the hostage sequences of the tense, psychological vibe that “Winds of Vengeance” mined so effectively. “Blame Game” also offers no scenes of the women fighting back, and if there are sexual undertones to the story, they’re only hinted at: When Cano grabs Elena and heads for the helicopter waiting outside, he says he’s taking her as “an insurance policy,” then adds: “Who knows? Maybe we have something in common.”

On the other hand, “Blame Game” shows the Ewings interacting with each other while their captors are holding them at gunpoint, which is something we really don’t see in “Winds of Vengeance.” In one exchange, Sue Ellen sits with Bobby and laments his rivalry with J.R., calling it “a vicious cycle that our sons seem destined to continue.”

She’s probably correct that John Ross and Christopher are fated to fight each other, but if the Ewings want to break one of their other vicious cycles — their penchant for being taken hostage — there’s a simple solution: Hire some security guards, for goodness sakes. I mean, these people can afford it, right?

‘Bravery’s Going to Get Your Dead, Junior’

injustice

In “Winds of Vengeance,” a first-season “Dallas” episode, J.R. and Ray (Larry Hagman, Steve Kanaly) sit in chairs while Sue Ellen (Linda Gray), Pam (Victoria Principal) and Lucy (Charlene Tilton) sit on the sofa and the gun-wielding Frick and Allen (Brian Dennehy, Cooper Huckabee) hover nearby.

LUCY: What are you going to do with us?

ALLEN: We were going to get up a softball game, but the weather. …

J.R.: Look, fellas. If you’re here for anything to do with justice.

FRICK: Shut up.

ALLEN: We’ll prove it. [Motions to Sue Ellen] This is your wife, right?

J.R.: Yes.

ALLEN: [Walks toward her] Pretty.

He reaches for her. She smacks him away.

SUE ELLEN: Don’t touch me.

J.R. tries to get up. Frick holds him place.

FRICK: [Snickering] Now bravery’s going to get you dead, Junior.

ALLEN: [To Ray] Hey, you. You! You married?

RAY: No.

ALLEN: That gives us a choice.

FRICK: [To J.R.] Hey, you know I’m married too, mister. [Kneels beside him] Yeah. My wife’s name is Wanda. You know her?

J.R.: [Sheepish] No, I don’t know any Wandas.

FRICK: Well, you got a short memory.

J.R.: I just can’t remember anybody by the name of Wanda.

ALLEN: She says she knows you pretty good.

FRICK: You know, Wanda didn’t come home last night. Now me and her brother here, we went looking for her. And guess where we found her this morning? We found her in this old motel room. Her and her friend Mary Lou.

J.R.: So?

FRICK: So she said she had been kidnapped, right off the main street by two guys last night. She said they took them up to this motel room. They got them drunk. And then they raped them.

J.R.: Well, what does that got to do with me?

ALLEN: You were kind enough to leave a business card.

J.R.: Well, now a lot of people have got my business card.

FRICK: [To Sue Ellen] Well, missus, what do you think of ol’ J.R. Ewing now? Huh? [Silence] Yeah. Yeah, maybe I’m doing you a favor, huh? [Shouting] Huh? You like him any better now knowing what a hotshot lover-boy he is?

SUE ELLEN: Him?

ALLEN: [Laughing] Somebody’s got to take care of the little lady. Looks like you don’t.

He kisses her. She screams and pushes him away as Allen laughs.

‘Your Beautiful Wife and Children Will Not Escape Unscathed’

Dishonor

In “Blame Game,” a second-season “Dallas” episode, Cano (Carlos Bernard) stands in the Southfork living room and speaks to Bobby and Christopher (Patrick Duffy, Jesse Metcalfe), who is held by one of Cano’s thugs. John Ross (Josh Henderson), Pamela (Julie Gonzalo), Elena (Jordana Brewster) and Sue Ellen (Linda Gray) are seated around the room, surrounded by other members of Cano’s gang.

CHRISTOPHER: What do you want, Cano?

CANO: Only what I was promised. You’re going to call Ewing Energies and you’re going to send all your employees home for the day. [The thug releases Christopher.] And once the place is empty, my friend here is going to accompany you to your office, where you’re going to retrieve the plans to your methane patent and prototype that I was promised. [Slaps his right-hand man on the back.] Now, if you are not back here within one hour, your beautiful wife and children will not escape unscathed. [Cano stands over Pamela and strokes her hair, then yanks her head back against him.]

JOHN ROSS: [Rises] Let her go! [A thug pulls him down.]

CANO: Well, your cousin has to defend your wife? Oh, wait a minute. [Laughs] You Ewing boys share after all. [Slaps his hands together] I love it! Well, since this clearly where your heart lies, you have one hour to bring me the prototype. [Holds a gun to Elena’s head]

How do you think “Winds of Vengeance” and “Blame Game” compare to each other? Share your comments below and read more “Dallas Parallels.”

Pam Ewing, the original “Dallas’s” heroine, and Pamela Barnes, her namesake niece on TNT’s sequel series, have more than a name in common. Both women marry into the Ewing family, both experience awkward introductions to life at Southfork, and their first encounters with J.R. are equally tense. Most notably, Pam and Pamela also suffer tragic miscarriages that send both of them to the edge — literally.

Pam’s quest to become a mother is a recurring theme of “Dallas’s early years. She and Bobby are overjoyed when they discover she’s pregnant at the end of the first season, but their parental dreams are dashed when Pam falls from the hayloft and suffers a miscarriage. She gets pregnant again at the beginning of Season 3, only to lose that child during another ranching mishap. Pam shifts her focus to her career, but when Sue Ellen leaves Southfork and takes John Ross with her at the beginning of Season 5, Pam’s memories of her miscarriages resurface.

Pam soon slips into a deep depression, alarming Bobby. At one point, he goes to visit his wife at The Store, the luxury retailer where she works, only to find her sitting in the baby department, holding a music box and lost in her thoughts. Then, in “The Sweet Smell of Revenge,” Pam goes to the roof of a tall building and contemplates jumping off. Bobby rescues her and brings her home to Southfork, where he urges her to get psychiatric help. “Honey, I’m worried about you,” he says.

Pamela has similar experiences on TNT’s “Dallas,” although the echoes are faint. Not long after she marries Christopher, the son that Bobby and Pam eventually adopted, Pamela becomes pregnant with twins. When Christopher discovers Pamela has been keeping some big secrets from him — namely, that she’s Cliff’s daughter and Christopher’s cousin — he divorces her, leaving her to take up with another one of his cousins, John Ross. Then the unthinkable happens: Cliff engineers the explosion of a Ewing Energies rig with Pamela and the Ewings aboard, causing her to lose her unborn children.

“Let Me In,” one of the new show’s second-season episodes, chronicles the emotional fallout from Pamela’s miscarriage. The hour opens with alternating shots of Christopher tearing down the nursery at Southfork while Pamela decorates the room she had set aside for the babies in her home. The montage ends with her sitting alone in the room, holding a stuffed animal and wearing a blank expression — not unlike Pam’s scene in The Store’s baby department. Later, John Ross comes to Pamela’s penthouse and finds her sitting on the balcony, entranced. She isn’t suicidal, but it nonetheless brings to mind Pam standing atop the tall building. (Indeed, “Let Me In” scriptwriter Aaron Allen has said he took inspiration for this scene not from “Dallas,” but from the 1985 film “St. Elmo’s Fire.”) In the next scene, John Ross brings Pamela inside and expresses his concern for her (“We are all worried about you”), just like Bobby did with Pam after her breakdown.

The question is: Will the parallels end here? On the original show, after Bobby and Pam adopt Christopher, she recovers her mojo, although her maternal struggles continue to haunt her. When Bobby briefly reunites with old flame Jenna Wade and impregnates her, Pam must learn to live with the fact that her husband will have a child with another woman.

Now that Pamela is married to the adulterous John Ross, we wonder: Will she soon find herself following in Aunt Pam’s footsteps yet again?

‘Honey, I’m Worried About You’

Let him help

In “The Sweet Smell of Revenge,” a fifth-season “Dallas” episode, Bobby (Patrick Duffy) sits in his bedroom reading a newspaper while Pam (Victoria Principal) sleeps on the bed.

PAM: [Awakens] Bobby?

BOBBY: Yeah, honey?

PAM: I’m sorry.

BOBBY: Oh, don’t worry. How do you feel?

PAM: [Pause] All right.

BOBBY: [Sets down his paper, moves to the bed and sits near her] Pam, we got to talk.

PAM: I know.

BOBBY: About you, about the future.

PAM: I know.

BOBBY: I spoke to Dr. Conrad. She said she already talked to you about voluntary commitment to Brooktree.

PAM: Yes, she did.

BOBBY: Well, she wanted to know how I felt, and I said I wanted what was best for you. She said that, at the present, she thinks that is the best. And with 24-hour-a-day care, you could overcome your problems a lot sooner.

PAM: Because you think I should be watched in case I try to kill myself again?

BOBBY: Pam, that’s not what I said.

PAM: But that’s what you meant.

BOBBY: Honey, I’m worried about you, and I care about you, and I don’t want what happened before to happen again. Now, if it’s going to be better — or safer — for you to be at Brooktree for a time, time enough to overcome this depression, then that’s what I want … for you. [Silence] Pam?

PAM: [Closes her eyes] I’m tired.

BOBBY: [Sighs] Well, you think about it, all right?

She nods.

‘We Are All Worried About You’

Let him in

In “Let Me In,” a second-season “Dallas” episode, John Ross (Josh Henderson) finds Pamela (Julie Gonzalo) sitting on the balcony of her apartment, brings her back inside and sits with her on the sofa.

JOHN ROSS: Where’s Afton? I thought your mother was taking care of you.

PAMELA: [Looking away] I sent her home … last week.

JOHN ROSS: Why’d you lie to me? [Silence] I think you should not be alone right now, Pamela.

PAMELA: I don’t care.

JOHN ROSS: Where’s your father?

PAMELA: Somewhere, making some deal. He sent me flowers.

JOHN ROSS: When was the last time you ate?

PAMELA: [Looks at him] Why are you here?

JOHN ROSS: I’m here because we are all worried about you. And I ain’t going anywhere until I know that you’re okay.

PAMELA: You’ll be here a long time.

JOHN ROSS: I’m going to go make you some tea. [Rises and exits as she closes her eyes]

How do you feel about Pam and Pamela’s painful losses? Share your comments below and read more “Dallas Parallels.”

Three queens

You’re invited to join Dallas Decoder’s next #DallasChat on Twitter, which I’ll hold Monday, February 3, from 9 to 10 p.m. Eastern time. The theme: “Pamela vs. Emma vs. Elena.”

New to #DallasChat? Here’s how it works: For one hour, I tweet a series of questions to my fellow “Dallas” fans. Each question is numbered and includes the hashtag #DallasChat, and so your answers should do the same. Everyone is also encouraged to include the show’s official hashtag, #DallasTNT, in their #DallasChat tweets.

Here’s a sample exchange:

Q1. Does Pamela, Emma or Elena have better business sense? #DallasTNT #DallasChat

A1. Emma. Did you see how she negotiated with Bo McCabe for the painkillers? She’s tough! #DallasTNT #DallasChat

Here are two tips:

• During the discussion, enter #DallasChat in Twitter’s search field. This will help you watch the search results so you can follow the conversation. Click “All” to see all the related tweets.

• Be sure to include #DallasChat in your tweets. This allows the other participants to see your contributions to the conversation.

This is one #DallasChat you won’t want to miss. See you tonight!

They’re here

“Dallas’s” second season arrives on DVD today, and not a moment too soon. Fans now have less than two weeks to catch up with the Ewings before TNT begins televising Season 3 on Monday, February 24. It’s a good thing many of us have a long weekend coming up. We’re going to need it.

The four-disc set, which sells for $39.98, includes all 15 second-season episodes, along with lots of extras. The highlights:

• An extended version of “J.R.’s Masterpiece.” The instant-classic funeral episode offers about six minutes of extra footage, including Ann’s eulogy, which is based on a conversation Brenda Strong had with Larry Hagman before he died.

The latter nugget is one of the tidbits you’ll hear from executive producers Cynthia Cidre and Michael M. Robin on the audio commentary. Other revelations: Cidre and Patrick Duffy initially believed Bobby shouldn’t speak at the funeral, and the scene where the Ewings arrive in Nuevo Laredo to retrieve J.R.’s body was filmed at the Fort Worth stockyards.

• More than 15 deleted scenes. In one sequence, Bobby comes onto the Southfork patio and finds J.R. listening to his ex-wife being interviewed on the radio. Says J.R.: “You just missed it, Bob. Sue Ellen called me a philanderer — on the radio. I’m not saying I don’t deserve it. I’m just surprised she didn’t used a dirtier word.” You’ll also see Ann and Bobby discuss Christopher’s search for Pam. “I think that sometimes the past is best left alone. … I’d just hate for Pam to cause you or Christopher any more pain,” Ann says.

• Cast interviews. The cast’s panel discussion at last year’s Paley Fest television festival is included, along with a feature where the actors recall working with Hagman. (Robin’s tribute is especially moving.) Also included: an interview that Hagman recorded around the time the new “Dallas” debuted in 2012. In a particularly poignant moment, he praises his new co-stars and says, “We’ve got four wonderful young actors that are going to drag me through another 13 years. At least I hope to hell they will.”

As if the DVD isn’t enough, TNT also announced plans yesterday to televise every episode from “Dallas’s” first two years before Season 3 begins. The 25-hour marathon starts Sunday, February 23, at 8 p.m.

You dirty boy

Presenting Mr. Henderson

TNT set hearts aflutter last week when it shared sexy shots of Elena (Jordana Brewster), Pamela (Julie Gonzalo), John Ross (Josh Henderson) and Christopher (Jesse Metcalfe) on Facebook and Twitter and asked “Dallas” fans which character should be the “face” of the show’s third-season advertising campaign.

The winner: John Ross, whose image received 31,000 “likes” on Facebook and 360 “favorites” on Twitter. Something tells me his daddy would be awfully proud.

I’ve posted all four images on Dallas Decoder’s Facebook and Pinterest pages. Which one do you like best?

Look Who’s Talking

The “Dallas” cast will soon be making the talk-show rounds to promote the third-season premiere. Last week, the folks who operate Linda Gray’s Facebook page announced she’ll appear soon on NBC’s “Today,” CNN’s “Piers Morgan Tonight,” Bravo’s “Watch What Happens Live” and Katie Couric’s syndicated show.

Of course, if you can’t wait to hear the scoop on “Dallas,” check out the highlights from Gray’s recent conversation with Dallas Decoder and other bloggers.

“Drill Bits,” a roundup of news and trivia about TNT’s “Dallas,” is published periodically.

Like his famous daddy, doesn’t John Ross Ewing deserve to have his cake and eat it too?

The “Dallas” fans at Dallas Decoder and Cook In/Dine Out think so. We’ve created a Valentine’s Day sundae that’s as deliciously messy as John Ross’s love life.

Like our previous “Dallas Desserts,” this one is rich with symbolism: the brownie represents John Ross’s wife Pamela (Julie Gonzalo), the blondie represents his mistress Emma (Emma Bell), and the chocolate sauce is dark and smooth, just like John Ross (Josh Henderson) himself.

The rest of the ingredients allude to John Ross’s other relatives: The vanilla ice cream is as wholesome as Uncle Bobby (Patrick Duffy), while the chopped peanuts honor his nutty father-in-law, Cliff (Ken Kercheval).

You’ll find the recipe for this treat at Cook In/Dine Out, which is the handiwork of the Valentine in my life, my husband Andrew. Visit his site regularly for other amazing food-related content, and be sure to follow Cook In/Dine Out on Facebook and Twitter.

We hope you’ll share this treat with the special “Dallas” fan in your life. Happy Valentine’s Day!

Charles Yusko

Charles Yusko is the hottest hairdresser in showbiz, but you won’t find him in Hollywood. Yusko, a native Texan, works his magic with the cast of TNT’s “Dallas,” which is filmed in its namesake city and will begin its third season on Monday, February 24. Yusko recently took time from his busy schedule to answer our questions.

Let’s start with the basics. Tell us what you do.

I’m the department head. I maintain “the look.” That artistic vision is created by a team — including myself, the actors, writers, producers and directors. And depending on how elaborate the scene is, the hair department can include two or three more team members. To get ahold of my vision, I read the script and break down the scenes. I also articulate my vision to each actor. For really dramatic transformations, I convey my concepts to the director, producers and writers. To set the tone of “the look,” I closely collaborate with our wardrobe whiz, the timelessly impeccable Rachel Kunin.

Interesting. Can you give an example of how you and Rachel collaborate?

In Season 2, Rachel came to me and wanted to talk about the emerald earrings for a scene with Pamela. [She said,] “Hey, I have these fabulous earrings. Can you show them off? I’d really love her hair up.” But I don’t really like to do hair up. I like natural-looking hair. So I said, “I’ll give you those earrings shown off, but with her hair down.”

Now that I think about it, you did manage to show off Pamela’s famous emerald earrings — even though her hair was down.

That was an instance where the hair was a big deal, at least for me. We didn’t want to make it all about the earrings. But it was all about the earrings. So we gave just a hint of them, and then all of a sudden it was — bam! — the big reveal of the earrings.

A lot of fans probably don’t realize how important a character’s hair is. Hair tells us a lot about someone’s personality, doesn’t it?

I think we showed that last year with Julie [Gonzalo] and Emma [Bell]. Emma started off with the braid. That was a symbol of her innocence. And Julie’s look changes dramatically depending on if she has a side part or a middle part.

So what’s a typical day for you like?

Well, I usually start around 4:45 in the morning. When an actor comes in, they’ll come to me first because they’re going to have wet hair. And I’ll start [working on] them while another actor is in makeup. And then the department head makeup artist, Frieda Valenzuela, and I will flip flop: I’ll take the actor in her chair and she’ll take mine. And then I’ll go to the set, and then I’ll come back and do more actors. It ends up being a 65- to 70-hour week.

That includes weekends?

Yes. I spent part of last Saturday buying wigs for the show.

So for Season 3, has anyone’s look changed?

The show’s look was established by Melissa Yonkey [the department head from 2012 to 2013], who did a beautiful job. When we worked together on the first two seasons, Melissa shared her expertise. I gained as much as possible from her — like how to keep a swoop bang from falling in someone’s face. This season, I’m making some dynamic changes. To viewers, the changes might be subtle, which — for the most part — is how it should be. But the creative process has been extraordinary. However, you’ll just have to watch to see what happens.

So the actors give a lot of input?

All the time. It’s their hair. Their feedback — even if they tell me something ain’t working — is priceless. Oftentimes, we’re on the exact same page. Trust and communication are huge. They have a lot on their plate when they step out of the hair trailer. And when they do, I want them to feel like I’ve invested all of my talents into their performances.

How about Jesse Metcalfe’s new beard? Are you responsible for that?

No, that’s makeup. That’s considered the face, so that’s all makeup.

Do you have an opinion about the beard?

I love it.

Me too. I know it’s going to go away midseason. I’m already sad about it.

He looks great with it. But with the character, it was definitely the perfect time for that change to have a beard and not to have one.

Well, I know you can’t give away plot secrets, so let me ask you this: What happens when Mitch Pileggi sits in your chair?

He comes to my station and gives me a hug and then he walks back to makeup. [Laughs] But he’s so wonderful because he gives every single person in the trailer a hug, every day.

Hey, that’s not a bad deal at all.

He is the sweetest man. That’s the thing about the actors on “Dallas” — they play the most horrible, ruthless characters, but in real life, they’re the sweetest, most amazing people.

That brings me to Linda Gray. She’s such an icon; I would imagine it’s a thrill to do her hair.

Ever since my first day on “Dallas,” I would watch Linda on set. I was craving an opportunity to do her hair. And now that I’m the department head, I do Linda’s hair and she’s wonderful. On Halloween, she gave me this fake fur coat. She had done a photo shoot with fur coats and while she was doing it, she said she thought of me. So I said, “What do I do with this?” And she said, “You need to wear it for Halloween.” Well, I’m in Texas. It’s hot on Halloween. But it snowed last week and so I finally wore that thing. They kept calling me Cruella de Vil on set.

And did you get to work with Larry Hagman?

I did. I wasn’t his hairstylist but I did get to do his hair before he passed. The last scene he filmed was the one where he meets with John Ross and Bum in the courthouse restroom. I was the hairstylist for that scene.

What was that like?

Well, first of all, I’m a gay man with John Ross and a bunch of camera boys in a bathroom. So Larry made a joke. He said, “Aren’t you in heaven?” [Laughs] But working with Larry was incredible. I didn’t grow up with him — my family was Baptist, so we didn’t watch a lot of “Dallas” — but meeting him and knowing how much he did for the environment and how wonderful he was…. I mean, he didn’t have to be the person that he was. I was in awe of Larry.

Well, the way I hear it, a lot of people are in awe of you. Everyone speaks highly of you.

I’ve been on the show for three seasons, but this is the first season that I’m the department head. I was a key [a junior stylist] for a long time. And early on [on “Dallas”], they demoted me.

Oh, no.

No, it’s fine because Jesse swooped in and said, “Nobody cuts my hair but Charles.” [Laughs] He pretty much was the reason for me keeping my job. And in the second season, they asked me to be the key and I said, “OK, this is my chance.” And I went back and I worked really hard. I feel like I proved myself.

You’ve had an interesting road to success.

I was going to school to become a teacher to work with autistic children, and it was just hard on me. So I ended up working in the opera for a while, doing theatrical makeup, and then some friends and I took a “Priscilla, Queen of the Desert” trip across the United States in an RV. We did crazy, fun drag in the Grand Canyon, and that really brought out my creative side. I ended up in hair school, and then I wound up working on movies like “The Alamo.” And every time I thought about getting out of film, something pulled me back in like “Temple Grandin.”

You were nominated for an Emmy for that one.

It was a great honor. I got to go to the ceremony and everything.

And now you’re a department head on “Dallas.”

It’s been a crazy, fun journey. The network and the producers have told me, “Thank you. You’re doing a great job.” And I just freeze up. All I can say is, “I’m so happy.” Because I love what I’m doing.

Share your comments below and read more Dallas Decoder interviews.

Fantasy gals

What would “Dallas’s” third season look like if the audience were in charge? Dallas Decoder asked four fans to pick up the storylines where Season 2 left off and describe their fantasy scenarios for the show. Here’s what they came up with.

Such a sneak!

Emma’s Switcheroo

By Chris Donovan

The Ewings celebrate the victory of Ewing Global, then discover they have inherited former Barnes Global enemies, including a dangerous Las Vegas casino family. Bobby employs J.R.’s mercenary (and killer), Bum, to mediate and more.

Elena and Joaquin disprove Cliff’s season-ending claim and Elena turns down the proxy. Instead, she insists on finding Drew and takes mother Carmen with her on her search, the family Ramos leaving in the season premiere.

Cliff picks Pamela’s mother, Afton (a one-time owner of a record company), as the proxy replacement. She begrudgingly complies, hoping to work with her daughter.

Katherine Wentworth, prosecution-immune after 30 years, flies back to appear on a Dallas TV show. She apologizes to Bobby and donates $500,000 to the upcoming Clayton Farlow Charity Rodeo at Southfork. Katherine has it all together now, or does until a blond haired woman shows up at her condo….

The presumed-dead James Beaumont revs up to J.R.’s grave and talks with John Ross.  James has been living in New Zealand since the deaths of his wife and son.

Judith buys her way out of “rehab” and finds her long-lost son, Roscoe “Morrissey” Manley, in a plot to get Harris out of 50-year trafficking sentence. Will she succeed in an installment titled “Switched at Death”?

Ann becomes attracted to her probation worker, Devon Leeman. Will she add a love crime to her rap sheet?

Lucy’s gay twenty-something stepson, Henry Pattemore, is hired by Christopher for the ranch and then matched up by his boss with Sheriff Derrick.

Emma sabotages John Ross and Pamela’s pregnancy efforts by replacing fertility pills with birth control.

In the Sue Ellen stand-alone episode, “Come to Mickey,” Sue Ellen, after passing out at a restaurant playground, meets a 50-year-old Mickey Trotter in her car. Pushing her drunk past in her face (the pregnancy accident, his accident, her breakup with Don), he stops her from driving. She commits to rehab and AA, where she meets her new love interest: Lou, the Ewing attorney.

And Cliff redeems himself in the finale, giving his life for Afton: “Besides my daddy and my sister, you’re the only one I’ve ever loved!”

Donovan, a novelist, is the author of “AWOL.” 

Gettin’ lusty with Dusty

Oh, Annie!

By Andrew H.

The Ewings’ unity in the wake of J.R.’s “masterpiece” to take down Cliff becomes fractured following an environmental calamity on Southfork created by John Ross’s oil exploration. This infuriates Bobby, who sues his nephew.

Emma feels pulled in both directions — a predicament Harris and Judith are more than happy to exploit. Working as Cliff’s secret pawn, Elena unknowingly has a hand in the disaster, but this doesn’t become apparent to her until later, as she remains unaware of the depth to which Cliff is willing to sink the Ewings to achieve his revenge.

As the Ewings become caught up in the Bobby/John Ross legal battle, their romantic liaisons become entangled too. Sue Ellen, fleeing sobriety, begins an affair with Ken Richards, and Ann, feeling neglected by Bobby, finds comfort in the arms of one of Sue Ellen’s old flames: Dusty Farlow.

Distracted by the lawsuit and their affairs, the implementation of Cliff’s diabolical scheme to get even goes largely unnoticed until Pamela discovers it. Irritated by her philandering husband, she must weigh whether to remain loyal to the scattered Ewings or rebuild the Barnes legacy by becoming the final piece in her father’s plan to sabotage the Ewings’ financial holdings and destroy their good name forever.

Andrew, who blogs about food at Cook In/Dine Out, is the creator of the “Dallas Drinks” and “Dallas Desserts” series. He’s also married to Dallas Decoder.

Give ’em hell, honey

Call Her Madam Mayor

By Corina H.

Riddled with guilt, Bum tells Sue Ellen he accidentally sent her the wrong letter from J.R., one he penned before developing cancer, and only realized it when she read it at the burial. Bum reveals the truth about J.R.’s death and gives Sue Ellen the intended letter in which J.R. again professes his love and regret for squandering it, but also says goodbye and urges her to stay strong.

When Sue Ellen confronts the Ewing men about their deception, they dismiss her as emotional and John Ross cites her relapse as an example of how she can’t handle the truth. Heartbroken, Sue Ellen briefly flees Dallas and befriends Vanessa Ruiz (Shannen Doherty), a down-on-her-luck waitress with whom she develops a mother/daughter bond, leaving John Ross feeling threatened.

Back home, Sue Ellen voluntarily enters rehab, where she falls for fellow patient Royce Lee Caine (William Shatner), an eccentric cattle mogul who has J.R.’s power and charm but none of his dastardly ways. With Royce’s encouragement, Sue Ellen gets sober and is elected mayor — only to be challenged anew when Harris is released from jail and sabotages her efforts to aid her constituents after a major tornado.

Back at Southfork, the family takes in Lucy, who is newly divorced and broke. Ray also returns and — to Bobby’s dismay — rekindles his romance with his half-niece. The relationship is strong but challenged from all sides, prompting Lucy to use her Ewing Global shares like a weather vane depending on which family member is hassling her and Ray.

Meanwhile, when John Ross impregnates Emma, Ann is appalled but also secretly thrilled at a second chance at motherhood, which drives a wedge between her and Bobby. Feeling frustrated, Bobby seeks comfort from an old friend who, unbeknownst to him, is put in his path by Judith. Pamela is furious and issues an ultimatum: She’ll allow John Ross this one indiscretion if he ends the affair and Emma terminates the pregnancy. Looking for a distraction, John Ross develops a poker habit, defaults on markers and starts stealing Sue Ellen’s fortune.

Elsewhere, Elena aligns with Cliff and appeals to Sue Ellen’s integrity to try and get Cliff released from jail on false charges, putting the freedom of all involved Ewings at stake. Later, Christopher’s chance encounter with June Leigh Taylor (Jennifer Love Hewitt), a.k.a. “June Bug,” a beautiful farm girl, leaves him wondering: Is it time to give up his stressful career at Ewing Global and start a new life?

Corina, also known as “Team Sue Ellen” on Twitter, writes about her favorite “Dallas” character at FanFiction.net.

Go see daddy

Don’t Forget Cliff!

By James Holmes

Mostly, I want the show to keep on surprising me the way it has done. However, these are things I’d be happy to see more of:

• Cliff in prison. I hope he gets a lot of visitors because I want to hear him talk — about how he ended up as the man he is today, how repentant he is or isn’t for his actions, or just to hear Ken Kercheval find more ways to say “I did not kill J.R.!” — the soap equivalent of Laurence Olivier’s “Is it safe?” mantra in “Marathon Man.”

• Joaquin! We haven’t seen him, we know nothing about him, but after his impressive non-entrance at the end of last season, he’s already my new favorite character.

• Multi-faceted Sue Ellen. We’d seen her be supportive, maternal, shrewd, aloof, devious and drunk before, but not until last year did it occur to anyone that she could be all of those things at the same time. I guess she’ll have to sober up sometime, but I’d love a drunken confrontation with John Ross first.

• I love the glimpses we’ve been given into the parallel “Dallas” that was happening at the same time as the original series — a dyslexic John Ross throwing toys at his mama’s head, the Ewing boys shooting hoops with the McKay brothers — but as well as playing fast and loose with the Ewing mythology, the new show has been able to honor and explain Pam’s convoluted departure in a way the original never could. In “New Dallas,” everything is up for grabs — the past as well as the future. I hope it continues to scramble my brain like this.

• Becky Sutter. I know Frank supposedly killed her off-screen, but is too much to hope she’s still out there somewhere — maybe holed up in a motel watching “Law & Order” reruns?

• Carmen needs to start stirring the mole or get off the pot. Either give her some scenes she can sink her teeth into or kill her off. This half-life is too cruel.

Holmes, also known as “James from London,” is a regular contributor to the SoapChat.net discussion board.

Whose ideas do you like best? Share your thoughts and your own fantasy scenarios in the comments section below.

Welcome back, darlins

Who misses J.R.? We all do, but the third season of TNT’s “Dallas” still manages to be fun, freewheeling television — even if our beloved Larry Hagman is no longer there to breathe life into his most famous character. Watching next week’s season premiere is a little like attending a family reunion after the loss of a favorite uncle. You can’t help but wish the old guy was still around, but isn’t it nice to see everyone else again?

Besides, it’s not like J.R. is gone altogether. His memory looms large in Season 3’s first two episodes. Some examples: John Ross inherits his daddy’s Southfork-sized belt buckle and hires contractors to renovate the house using blueprints J.R. commissioned before his death. Bobby, once again at odds with his ambitious nephew, growls that John Ross isn’t “half the man” J.R. was. Bum, the Ewings’ go-to private eye who now doubles as John Ross’s conscience, urges him to “grow into your father’s greatness, not his weakness.” There’s even a much-improved painting of J.R. hanging in the Ewing offices, allowing Hagman’s visage to peer over the shoulders of the other actors as they move around the set.

With so many verbal and visual references to J.R., isn’t the show just reminding us that this franchise has lost its marquee player? Yes, but since most of us can’t tune into “Dallas” without thinking about Hagman anyway, the producers might as well acknowledge the ghost in the room. Besides, when your franchise is built on a character as endlessly fascinating as J.R. Ewing, why not use him to pull everyone’s strings from the great beyond?

That’s why “The Return,” the third-season premiere, resets the “Dallas” chessboard, J.R.-style. The episode — penned by Cynthia Cidre and Robert Rovner and directed by Steve Robin — picks up 12 hours after last year’s finale, when we learned J.R. was dying of cancer and masterminded his own “murder” so archenemy Cliff Barnes could be framed for the crime, thus ending the Barnes/Ewing feud. (Ha!) The finale also positioned John Ross as J.R.’s heir in every way, and so at the beginning of “The Return,” we learn why the young newlywed went to that hotel room to cheat with Emma, who appears to have traded her pill habit for an addiction to risky encounters with John Ross.

We’ll also hear how John Ross justifies the fling to Kevin Page’s Bum; his excuse will sound familiar to longtime “Dallas” fans who remember how J.R. used to rationalize his cheating on Sue Ellen. This storyline has upset a lot of fans of the John Ross/Pamela pairing, but it allows Josh Henderson to display the sly charisma that makes him almost as much fun to watch as Hagman was in his heyday. And even though John Ross is a cheat, we can’t help but feel charmed by his relationship with Julie Gonzalo’s Pamela, whose smoldering gaze makes her the ideal match for the oh-so-suave Henderson. Let’s acknowledge something else too: As much as we despise Emma, there’s no denying that Emma Bell is terrific in this role. Not since Mary Crosby’s Kristin have “Dallas” viewers had a vixen who’s so much fun to hate.

During last year’s execution of the Ewings’ “master plan” against Cliff, almost all of the characters got in touch with their inner J.R., but Season 3 finds the good guys returning to familiar terrain. Patrick Duffy’s Bobby slides back into his role as the heroic guardian of Southfork traditions, while Jesse Metcalfe’s Christopher gets a refreshingly angst-free romance with Heather, a new ranch hand. This role is played with equal parts spunk and sex appeal by AnnaLynne McCord, who was the best part of the CW’s “90210” and makes a welcome addition to “Dallas,” a far better revival.

(Oh, and even though “The Return” begins 12 hours after Season 2 ended, Christopher now sports a face full of scruff. How did he grow a thick beard in a half-day? It’s probably better not to ask. Let’s consider it this era’s version of Sue Ellen’s hair, which magically shortened itself between seasons in the early 1980s, even though mere minutes had passed on screen.)

“The Return” also recasts Elena, once this show’s romantic heroine, into a shrewd schemer out for revenge — or as she calls it, “justice” — after Cliff revealed J.R. once stole oil-rich land from her father, just like Jock supposedly cheated Digger out of half the Ewing fortune. This might seem like a thin premise to extend the Barnes/Ewing feud, but it gives the underappreciated Jordana Brewster something to do besides moon over Henderson and Metcalfe’s characters. Cliff and Elena’s unlikely alliance also includes Nicolas Treviño, a dashing young billionaire played by Juan Pablo Di Pace, another strong addition to this ensemble.

Now, I know what you’re thinking: What about Sue Ellen? It’s no secret Linda Gray’s character is once again headed for rock bottom this season, although she goes nowhere near a drop of booze in “The Return.” Some fans hate to see Sue Ellen drinking again; I’m not wild about the idea either, but I have no doubt Gray will deliver another knockout performance, just like she did last year. She’s Hagman’s truest heir in a lot of ways, including this one: Like him, Gray can say more with an arched eyebrow or a wry smile than most actors can with a script full of dialogue. She exudes Old Hollywood star power, and whether Sue Ellen is drunk or sober, Gray always delivers riveting television.

“Dallas” fans also want to know about a couple of other favorites, including Brenda Strong’s Ann and her dastardly ex-husband Harris, played to menacing perfection by Mitch Pileggi. Regarding them, I’ll only say this: Just because you haven’t read much about their characters in “Dallas’s” pre-premiere publicity doesn’t mean they have nothing to do in the first two episodes. I also don’t want to give anything away about Judith Light’s character Judith Ryland, except to say her return in the season’s second hour, “Trust Me,” is a hoot.

That episode, written by Bruce Rasmussen and directed by Millicent Shelton, features a Ewing family gathering that showcases the brilliance of costume designer Rachel Sage Kunin, who never fails to impress, and hairdresser Charles Yusko, whose contributions to the success of this series shouldn’t be overlooked. You’ll also want to watch “Trust Me” to see the long-awaited reunion between two characters who had a charming scene last year, along with one of the most audacious moments I’ve ever seen on “Dallas” — or any other show, for that matter.

Most importantly, the episode ends with a shock that rocks two characters and will make you reconsider everything you think you know about a third. It’s a twist you’ll never see coming — and another reason this show remains so much fun, even without the man who got the party started.

“Dallas’s” third season begins Monday, February 24, at 9 p.m. Eastern on TNT. Are you excited? Share your thoughts in the comments section below.

Linda Gray and Andy Harmon hit the red carpet

Drink up

The stars of “Dallas” came together last night for a party to preview the third season’s first episode — along with the show’s new three-way split-screen title sequence — and to launch the J.R. Ewing Bourbon.

That’s right. You can now take a shot of J.R. (or better yet, a whole glassful).

The bourbon, inspired by Larry Hagman’s famous character, will come in bottles that feature a screen-printed image of Southfork and a wooden stopper. The bourbon will sell for about $34.95 a bottle and hit store shelves beginning in late March.

Initially, the bourbon will be sold in 14 states in the south and Midwest, including these markets: Dallas-Fort Worth, Austin, Houston, San Antonio, New Orleans, Chicago, Memphis, Kansas City, St. Louis, Cleveland, Indianapolis, Columbus, Little Rock, Atlanta, Denver and Phoenix.

Plans call for the bourbon to be available nationally by June and internationally by the end of the year.

Here’s how the Southfork Bottling Company, the new company behind the bourbon, describes the product in its news release:

“J.R. Ewing Bourbon is well balanced and possesses a maturity that adds to its complexity. The nose is classic and slightly fruity, with notes of vanilla, oak sweetness and a touch of orange. The taste profile is surprisingly mild, yet crisp, and exhibits a lightly spicy/honey taste that lingers on the palate.”

Sounds like J.R. has a product worthy of his name. In a statement, Andy Harmon, the bottling company’s co-founder, said the bourbon’s quality reflects “J.R.’s thirst for the best in life. … [T]he new brand really pays tribute to the character with whom everyone around the world is familiar.”

Among the bold-faced names attending the launch party: Emma Bell, Marlene Forte, Juan Pablo Di Pace, Julie Gonzalo, Linda Gray, Jesse Metcalfe and Mitch Pileggi.

The Ewings Take Manhattan

Talk about an oil slick

While we’re waiting to fill up with J.R.’s bourbon, we can all head to New York City to fill up with the Ewings’ gasoline.

A real-life Ewing Energies gas station will open somewhere in Manhattan on Monday, February 24, the day “Dallas’s” third season begins. John Ross (Josh Henderson) will announce the precise location in a video that’ll be posted Monday morning on the show’s Facebook page.

The stunt comes courtesy of Grey New York, which handles marketing for the show. To tout the opening, there’ll be radio spots, billboards and branded oil trucks and a sweepstakes to win “Black Gold Card,” Advertising Age reports.

New Yorkers can expect the Ewings to undercut the competition, just like J.R. once did on the original show. How low will prices go? As the Wall Street Journal points out, the national average price for a gallon of gas this week is $3.38. This compares to 62 cents a gallon when the original “Dallas” debuted in 1978 and 86 cents in 1980, the year J.R. was shot.

Big D, Big Apple

J.R. Takes Manhattan Too

In case you missed it: The new J.R. Ewing action figure from Figures Toy Company was recently spotted around Manhattan, where he checked out the billboards for “Dallas’s” new season featuring sexy shots of Henderson, Jordana Brewster, Julie Gonzalo and Jesse Metcalfe.

Visit Dallas Decoder’s Facebook page to see more shots like the one shown here.

Special thanks to Dallas Decoder’s better half, Cook In/Dine Out maestro Andrew, for serving as the hand model for these pictures. Poor Andrew’s hands are still thawing out.

The Reviews Are In

The reviews for “Dallas’s” third-season premiere are beginning to roll in, but isn’t yesterday’s write-up from yours truly the only one that really matters? In case you missed it, be sure to also check out our interview this week with Charles Yusko, the show’s hairstylist.

“Drill Bits,” a roundup of news and trivia about TNT’s “Dallas,” is published periodically.

Moving on

Here are the questions we’re pondering as we await tonight’s telecast of “The Return,” TNT’s third-season “Dallas” premiere:

• What’s John Ross up to? “Legacies,” the second-season finale, ended with John Ross (Josh Henderson) on top of the world: After marrying Pamela (Julie Gonzalo), he helped his family defeat Cliff (Ken Kercheval) and take over his company, Barnes Global. In the final scene, John Ross went to a posh hotel room, where Emma (Emma Bell) was waiting for him with an accordion folder full of documents. John Ross told Emma he was willing to “pay the price” for the folder as they began to undress each other. What’s John Ross after — and why is he willing to cheat on Pamela to get it?

• Will Elena accept Cliff’s offer? Also in the season finale, Cliff summoned Elena (Jordana Brewster) to Mexico, where he was jailed after the police arrested him for J.R.’s murder. Cliff showed Elena documents that suggested J.R. stole oil-rich land from her late father and invited her to become his proxy for the one-third of Barnes Global he still owns. Elena, who was nursing a broken heart after Christopher (Jesse Metcalfe) discovered she covered up Drew’s role in the Ewing Energies rig explosion and dumped her, seemed tempted by Cliff’s offer. Will she accept?

• Did Bobby tie up all the loose ends in J.R.’s “masterpiece”? When evidence emerged that Cliff killed J.R. (Larry Hagman), Pamela helped the Ewings plant evidence on her father to make sure he wouldn’t get away with murder. Later, Bobby (Patrick Duffy) revealed the truth to John Ross and Christopher: J.R. was dying of cancer and arranged for Bum (Kevin Page) to shoot him so Cliff could be framed, thus bringing an end to the Barnes-Ewing feud. How flawless is J.R.’s masterpiece?

• How’s Sue Ellen coping? It’s no secret Sue Ellen (Linda Gray) will still be drinking when Season 3 begins. Will her problem get worse before it gets better?

• What will happen to Harris? Before Emma swiped the accordion folder and shared it with John Ross, she blew the whistle on her father, who was arrested for drug trafficking. How is Harris (Mitch Pileggi) getting along in jail? What will happen to his drug trafficking operation without him? And while we’re on the subject of the Rylands, whatever became of Judith (Judith Light), whom Harris sent to “rehab” after she threatened to take control of their family’s company, Ryland Transport, before tumbling down the stairs?

• Who is Joaquin? After the Ewings discovered Cliff and Harris blackmailed Drew (Kuno Becker) into blowing up the rig, he went on the run. Elena eventually caught up with her brother and gave him money and a cell phone, telling him to “call Joaquin” as soon as he got to Mexico. The last time we saw Drew, he was speeding away on his motorcycle. Later, after Cliff’s conversation with Elena, she took off too and wound up at a Mexican compound, where she told the guards she was there to see Joaquin. Who is this mystery man — and what’s his connection to the Ramoses?

• Who are the newcomers? “The Return” will introduce two new characters: Nicolas Treviño (Juan Pablo Di Pace), a suave billionaire who’ll spar with the Ewings, and Heather (AnnaLynne McCord), a ranch hand at Southfork. How will they figure into this season’s storylines?

• How’s life at Southfork? After J.R.’s death, John Ross inherited half of Southfork and moved in, putting him and Pamela under the same roof as Bobby, Ann (Brenda Strong) and Christopher. How’s the brood getting along? And how long until someone gets pushed into the swimming pool?

What “Dallas Burning Questions” are on your mind? Share your thoughts in the comments section below and watch “Dallas” tonight at 9 on TNT.

Don’t just stand there. Tweet!

If “Dallas” fans want the TNT drama to stick around for a while, TV ratings expert Marc Berman has some advice for them: Start tweeting.

The amount of buzz a show generates on Facebook, Twitter and similar sites is increasingly important to its chances of survival, says Berman, editor in chief of TV Media Insights, a top industry news site. For example, “Pretty Little Liars,” an ABC Family series doesn’t generate huge ratings. “But when you look at what that show does on social media, the numbers are through the roof,” Berman says.

“Pretty Little Liars” generated 391,000 tweets that were seen by 3.9 million users last week, according to media research giant Nielsen, which now measures Twitter chatter about TV shows. The show ranked second only to AMC’s “The Walking Dead,” which generated 484,000 tweets that were seen by 4.9 million users.

“Dallas” has a strong social media presence too. The show’s official Facebook page has received 1.4 million “likes,” and its Twitter feed has 78,000 followers. Berman says fans can support the series this season by talking about it on social media and sharing “Dallas”-related tweets and Facebook posts.

The “Dallas” stars are also getting in on the action. Yesterday, Linda Gray told the Pittsburgh Post-Gazette that she’s even received pointers from TNT — and co-star Josh Henderson — on the ins and outs of social media.

(This season, your Dallas Decoder is doing his part too. I’ll live-tweet each new episode on Monday nights — and to keep the conversations going after the show, my weekly #DallasChat Twitter discussions will move to Tuesday nights.)

Of course, traditional ratings matter too, Berman says. Last year, “Dallas” averaged 2.7 million viewers on Monday nights, but the audience grew to 3.8 million when you include people who record the show on DVRs and watch it later in the week. “The show must hold onto those numbers. If you see it lose 10 percent or 20 percent of its audience, that won’t be good,” he says.

And yes, DVR numbers matter. “Nobody looks at one set of numbers anymore. With ‘Dallas,’ you’re adding another million viewers [through DVR playback]. That’s important,” he says.

Berman also thinks it’s a good sign that TNT will give the midseason break. The cable channel plans to show the season’s first eight episodes in the winter and spring, and then put the series on hiatus until the summer, when the final seven hours will be telecast.

Summers are less competitive, and when “Dallas’s” first season was shown in the summer of 2012, the series averaged 4.2 million viewers. “By breaking up [the third season], you’re going to give ‘Dallas’ a better shot at staying on the air,” Berman says.

So what does Berman, a longtime “Dallas” fan, think of the new season? He’s seen the first two episodes and is impressed with the way the writers have made J.R.’s legacy part of the storyline. “It’s honoring Larry Hagman’s memory the way the original series honored Jim Davis’s memory after he died. They’ve done it really, really well,” he says.

We’re Pumped

Fill ‘er up

The real-life Ewing Energies gas station will open today at 466 10th Avenue in New York City.

Henderson, in his guise as John Ross, announced the news in a video posted this morning to “Dallas’s” Facebook page. “The price of gasoline — it’s out of your control. But not mine,” John Ross says.

The gas will sell for just $1.98 a gallon — but for today only. As John Ross explains, “Unlike our competitors, who want to rob you blind, I just want to make us both rich.”

If you can’t make it to the station today, you can visit the “Dallas” Facebook page to enter a sweepstakes to win “Black Gold” gift cards.

Look Who Else is Tweeting (and Talking)

Speaking of tweeting: If you’re looking for Julie Gonzalo after 3 p.m. Eastern today, check Twitter. The “Dallas” star says she’ll live-tweet the afternoon portion of TNT’s 26-hour “Dallas” marathon, which kicked off last night and will culminate tonight at 9 with the debut of the third-season premiere, “The Return.”

Meanwhile, Gonzalo’s co-stars are hitting the talk-show circuit to promote Season 3.

Henderson will appear on “Live with Kelly and Michael” today and “The Wendy Williams Show” on Friday, February 28. Both shows are syndicated, so check your local listings.

According to Gray’s Facebook page, she’ll also appear on “Live with Kelly and Michael” soon. Gray’s post also indicates she’ll guest on “Today,” “Piers Morgan Tonight,” “Watch What Happens Live” and “Katie.” Precise airdates haven’t been announced.

Finally, Patrick Duffy is scheduled to drop by “Live with Kelly and Michael” on Friday, March 7.

Boy, Kelly Ripa and Michael Strahan must love discussing “Dallas” as much as we do!

We’ve Got It Covered

Your Dallas Decoder is going to work harder than ever to deliver exceptional coverage of “Dallas” this season. In case you missed it, here’s an overview of our plans.

“Drill Bits,” a roundup of news about TNT’s “Dallas,” is published weekly. Share your thoughts in the comments section below.

First couple, second wedding

In “The Return,” “Dallas’s” third-season opener, Pamela (Julie Gonzalo) says she’s “feeling a little shy” about having another wedding at Southfork. Sue Ellen’s response: “Trust me. You won’t be the first bride to have multiple weddings here.” She ain’t kidding. Here are three others, along with two grooms who couldn’t stop tempting the notorious Southfork wedding jinx.

Mother of a bride

5. Miss Ellie. Mama’s wedding to Jock wasn’t seen in the 1986 prequel “Dallas: The Early Years” (where she was so memorably played by Barbara Bel Geddes lookalike Molly Hagan), but we did get to hear Ellie describe the nuptials on the original series, explaining how her daddy hired a Parisian seamstress to make Ellie’s wedding dress and how Jock kept tugging at his collar during the ceremony. In 1984, years after Jock’s death, Ellie wore a simple pink suit and pearls when she wed second hubby Clayton Farlow.

Princess bride

4. Lucy. Jock and Ellie’s spirited granddaughter (Charlene Tilton) donned Grandma’s dress when she wed Mitch Cooper in a lavish 1981 ceremony that became one of “Dallas’s” most-watched episodes. (Twenty-eight million viewers!) Lucy and Mitch divorced the following year, but — bless their hearts — they tried again in 1985 with a scaled-down ceremony in the Southfork living room. This marriage fared no better, but at least the nuptials inspired Bobby to propose again to ex-wife Pam.

Try, try again

3. Sue Ellen. Since J.R. and Sue Ellen had been married for several years when “Dallas” began, we never saw their ceremony. However, a framed photo from the wedding occasionally popped up on the show, and we once caught a glimpse of the invitations, which confirmed the nuptials occurred at Southfork in 1970. One year after their 1981 divorce, they walked down the aisle during another huge ceremony that ended up with everyone fighting in the swimming pool. Would we expect anything less?

Groom’s Day scenarios

2. Bobby. Now here’s a Ewing who refuses to give up on love. Bobby (Patrick Duffy) and Pam’s first wedding took place in New Orelans, but their remarriage in 1986 occurred at Southfork. In between, Bobby tried to marry Jenna at the ranch, but she jilted him. In 1990, three years after Pam ran away, Bobby wed April, who was killed on their honeymoon. Poor Bobby! We don’t know where he and Ann got hitched, but we pray it wasn’t at Southfork. Otherwise, their union is probably as doomed as the rest.

Repeat offender

1. J.R. Like Bobby, J.R. (Larry Hagman) had three weddings at Southfork, but in J.R.’s case, all three counted. (Remember, when Bobby and Jenna had their wedding, she left him standing at the altar.) In addition to J.R.’s nuptials to Sue Ellen in 1970 and 1982, he got hitched to Cally at the ranch in 1989. Technically, this was J.R.’s fourth ceremony since he and Cally also had a ceremony in Arkansas, where her brothers forced him to to say “I do” at gunpoint. But that experience is probably best left forgotten, don’t you think?

Which Southfork weddings are your favorites? Share your thoughts in the comments section below and read more Dal-Lists.

Welcome to the club, honey

Say what you will about Cliff Barnes (Ken Kercheval), but the man knows how to get women to spy on the Ewings for him. In “The Return,” TNT’s third-season “Dallas” opener, Elena Ramos (Jordana Brewster) becomes the latest gal to go undercover on Cliff’s behalf. Here’s a look at five others.

His kind of traitor

5. Julie Grey. When J.R. began taking his secretary/mistress Julie (Tina Louise) for granted, she got even by sneaking Cliff documents that proved the Ewings had bribed a state senator. Cliff exposed the Ewings and Julie left town, but she came back and pretty much did the same thing all over again — feeding J.R.’s secrets to Cliff. This time around, Julie wound up dead and Cliff wound up in jail, framed for her murder — courtesy of J.R., natch.

Reflections of a rat

4. Sly Lovegren. In an attempt to beat the Ewings at their own game, Cliff blackmailed Sly (Deborah Rennard), J.R.’s loyal secretary, into leaking him Ewing Oil secrets by threatening to have her brother’s parole denied if she didn’t cooperate. Sly reluctantly went along with the scheme — until J.R. caught wind and turned Sly into a double agent, using her to feed Cliff bad information that brought his company to the brink of disaster.

The shadow knows

3. Mandy Winger. Here we go again. When J.R.’s mistress Mandy (Deborah Shelton) suspected he was cheating on her — how could he! — she tried to get revenge by getting him to divulge Ewing Oil secrets, which she gave to Cliff. J.R. was wise to Mandy’s game, though, and turned the tables on her and Cliff. But poor J.R.: He seemed genuinely hurt by Mandy’s betrayal — which should’ve been our first clue this was all a dream.

Double spy

2. Pam Ewing. By the time Pam (Victoria Principal) remarried Bobby, she had become Cliff’s business partner. This put her in competition with J.R. and Bobby and made her life hell. Cliff didn’t help matters when he asked Pam to divulge which companies the Ewings wanted to acquire — and she did! J.R. would’ve been mad, except he used Pam to find out which companies Cliff wanted. Who knew she could be so valuable?

Daddy’s girl

1. Pamela Barnes. To destroy the Ewings once and for all, Cliff sent his daughter Pamela (Julie Gonzalo) to infiltrate the family by posing as “Rebecca Sutter.” She married Christopher — her own cousin! — and dutifully did Daddy’s bidding, eventually helping him gain control of Ewing Energies. And how did he repay her? By blowing up the Ewing Energies rig, causing her to lose her unborn babies. We can’t help but wonder: Elena, are you sure you want to do business with this guy?

What’s your favorite “Dallas” spy story? Share your thoughts in the comments section below and read more Dal-Lists.

They’re back

Here’s what happened in “The Return,” TNT’s third-season “Dallas” premiere:

• John Ross and Emma struck a deal. After their tryst in the hotel room, John Ross and Emma (Josh Henderson, Emma Bell) found Judith’s power of attorney, which makes Emma chief executive of Ryland Transport if Harris becomes incapacitated. “Nothing says incapacitated like a 20-year prison term,” John Ross said.

Emma agreed to give John Ross control of Ryland Transport’s drilling and cargo ships, which the newly renamed Ewing Global needs to bid on lucrative oil and methane leases in the Arctic. But Emma’s offer came with a price: She wants to continue sleeping with John Ross. He agreed — and not reluctantly.

• Elena and Cliff joined forces. Elena (Jordana Brewster) confirmed Cliff (Ken Kercheval) was telling the truth about J.R.’s scheme against her father and agreed to: a) serve as Cliff’s proxy at Ewing Global, and b) help him prove the Ewings framed him so she can gain leverage against the family. “I’m not thinking of this as revenge. I’m thinking of this as justice,” she said.

Elena kept her connection to Cliff a secret and took a job at Ewing Global; she also recruited Nicolas Treviño (Juan Pablo Di Pace), a childhood friend who is now a billionaire, to pretend he’s the proxy. Nicolas, who was known as Joaquin as a child, grew up alongside Elena and Drew and considered their father as his own. “We will get justice for your family — for our family,” Nicolas told her.

• John Ross and Bobby clashed — and clashed again. To finance Ewing Global’s Arctic venture, the family decided to sell the company’s consumer division. Not so fast, said Nicolas, who introduced himself to the Ewings as Cliff’s proxy and cited a state law that prevents companies from selling major assets without the blessing of a “supermajority” of owners.

Sue Ellen (Linda Gray) suggested the family should find dirt on Nicolas and get him to switch to their side, but John Ross had another idea: He wants to pay for the Arctic venture by drilling on Southfork. Bobby (Patrick Duffy) rejected the plan, pointing out that he and Gary still control the mineral rights. But John Ross had a trick up his sleeve: He revealed the oil below the ranch has risen to the shale formation, which means he can drill it because he has the “surface rights.”

To make matters worse, John Ross also started talking about remodeling Southfork, including adding — gasp! — an atrium, an elevator and an indoor pool.

• Harris went free. After being released from jail, Harris (Mitch Pileggi) ran into some shady dudes who took credit for bribing the judge so he could walk away a free man. The men told Harris if he doesn’t resume his drug shipments for the Mendez-Ocha cartel, they’ll make Emma wish she was dead. Yikes!

• Meanwhile, back at the ranch.… Elena apologized to the Ewings for concealing her brother’s involvement in the rig explosion. When Christopher asked her to forgive him for treating her harshly, she told him they should take more time to sort out their feelings for each other, although the expression on her face — and the fact that she’s now secretly colluding with Cliff — suggests she didn’t really mean it. If Elena changes her mind, she better do it fast since Christopher seemed taken with Heather (AnnaLynne McCord), a spirited ranch hand who doesn’t care much for Bo (Donny Boaz), the ranch hand/rodeo cowboy whom Emma tangled with last season.

• John Ross and Pamela got engaged — again. Elsewhere at Southfork, John Ross got down on one knee and gave Pamela (Julie Gonzalo) a “proper” marriage proposal, along with an engagement ring to rival the rock Sue Ellen used to sport. Pamela wasted no time planning her wedding with help from Ann (Brenda Strong), Sue Ellen — and Emma, who was as sweet as spun sugar to Pamela’s face while sexting her husband behind her back.

Later, John Ross — who now sports J.R.’s belt buckle, courtesy of Bum (Kevin Page) — snuck across the hall at Southfork and had another tryst with Emma. Afterward, as he was leaving the room, he ran into Sue Ellen, who didn’t seem to believe her son’s claim that he and Emma were just talking shop. Would you?

What did you think of “The Return”? Share your thoughts in the comments section below and look for Dallas Decoder’s critique later this week.