Mr. Cool

What happens when “Dallas” fans watch the show? Here are 31 experiences we all share when we tune in to TNT on Monday nights.

1. You settle into your comfiest chair with a pint of ice cream and/or a tall glass of wine and think, “It’s ‘Dallas’ night. Life is good.”

2. The teaser scene starts. If it features Josh Henderson, you reach for something to fan yourself.

3. The theme song begins and you get chills because it’s biologically impossible to not get excited when you hear this music.

4. You see the three-way split-screen opening credits. You feel joy.

5. Before the first commercial break, someone blackmails someone else. (Note: This will happen at least six more times before the episode ends.)

6. Sex!

How does she do it?

7. Linda Gray appears and looks fantastic. You turn to the spouse/roommate/cat sitting next to you and say, “How does she manage to get more beautiful each week?”

8. The spouse/roommate/cat doesn’t make a peep because you’ve trained him/her/it to be completely silent when “Dallas” is on.

9. Is Sue Ellen blackmailing someone? Putting John Ross in his place? It doesn’t matter. Whatever she’s doing, you think, “Gray is totally crushing this scene.”

10. Someone mentions J.R. You smile and feel thankful for all the wonderful performances Larry Hagman gave us over the years.

11. Bobby (Patrick Duffy) calls John Ross “boy.” You realize you never get tired of hearing him do this.

12. Brenda Strong appears and you can’t help but wonder: Is Ann is going to shoot someone tonight?

13. Something happens in the storyline that doesn’t quite add up but you decide not to dwell on it because the rest of the show is So. Damn. Good.

14. You suddenly get a hankering for a Miller Lite. You’re not sure why.

15. You hop onto Twitter, read the cast’s tweets and feel impressed by how cool the actors are.

16. “Maybe I should buy a Microsoft Surface,” you think.

17. You notice how fantastic Jordana Brewster and Julie Gonzalo’s hair looks and wish Charles Yusko could style your hair too.

18. You see everyone’s amazing clothes and wonder if Rachel Sage Kunin would be willing to go shopping with you.

19. Nicolas appears. It occurs to you: Juan Pablo Di Pace is wearing too much clothing.

Love to hate

20. Emma (Emma Bell) does something scandalous and you love it even though you pretend to hate her.

21. Harris (Mitch Pileggi) does something mean and you love it even though you pretend to hate him.

22. Christopher (Jesse Metcalfe) doesn’t smile until Heather (AnnaLynne McCord) shows up but it’s OK because it’s the best smile ever and it’s always worth the wait.

23. Fracking!

24. Also: “Heritage!” “Tradition!” “Legacy!”

25. More sex.

26. Judith Light does something nuts.

27. The episode ends with a twist. You exclaim, “How did I not see that coming?!” followed by, “How is the show over already?!”

28. Once again, your spouse/roommate/cat knows better than to answer.

29. You think, “I can’t wait to read Dallas Decoder’s critique of this episode, which will probably be posted on Wednesday unless he’s busy in which case I’ll have to wait until Thursday.”

30. TNT plays the previews for next week’s show. You look at the nearest calendar and curse it because you have to wait seven whole days for another episode.

31. The closing credits end and TNT starts replaying the episode. You grab another pint of ice cream and/or refill your wineglass and start all over.

What did I overlook? Share your thoughts in the comments section below and read more Dal-Lists.

Welcome home, darlin’

Here’s what happened in “Like a Bad Penny,” TNT’s latest “Dallas” episode:

• Sue Ellen came home. Bobby and Ann (Patrick Duffy, Brenda Strong) found Sue Ellen (Linda Gray) in the sanitarium and tried to talk the physician in charge, Dr. Monkia Englert (Gail Cronauer), into releasing her into their custody. Englert reluctantly agreed to let Sue Ellen leave, but warned Bobby and Ann that “she needs to get her alcoholism under control. Otherwise, she will be a danger to herself.” When John Ross (Josh Henderson) ran into his mother at the ranch, he told her he acted in her best interest by having her committed, but she didn’t want to hear it, telling him, “You only did it to help yourself.”

• John Ross gambled … and lost. The final piece in John Ross’s plan to take Ewing Global public fell into place: He went to Las Vegas to meet Sheik Sharif Ali, with whom J.R. was planning to do business before he died. John Ross hoped to ask the sheik for money to finance his initial public offering in exchange for a piece of the Arctic lease deal; unfortunately, the sheik felt insulted because John Ross didn’t come to him sooner. To smooth things over, John Ross talked his way into the sheik’s high-stakes poker game and intentionally lost it, even though he bet his wristwatch and Pamela (Julie Gonzalo) put up her emerald earrings as collateral. After the game, Pamela asked her husband why he threw it. “Sometimes the only way to win is to show the other person you’re not afraid to lose,” John Ross said.

• Or did he? Not long after Mr. and Mrs. Ewing returned to Southfork, the sheik’s son, Nasir (Pej Vahdat), arrived and told John Ross his father was impressed by the way he handled his loss in Las Vegas. Nasir returned the wristwatch and agreed to supply John Ross with the money he needed for his IPO, explaining, “When you gambled the watch, my father saw J.R. in you. You were humble enough to know you were wrong and brave enough to risk something you care deeply about to prove it.” Meanwhile, Bobby tapped banker Cal Hanna, an old college buddy, to underwrite the IPO; John Ross, not wanting to delay the Arctic deal, reluctantly agreed to go along with Bobby’s choice. Later, Cal asked Bobby, “You really think John Ross is going to come after me?” Bobby’s response: “Oh, I’m sure of it. And when he does, make him think he’s got you.”

• Emma uncovered Harris’s scheme. After John Ross fired Candace (Jude Demorest), he told Bum (Kevin Page) to investigate her. Perhaps John Ross should’ve hired Emma (Emma Bell) for the job instead. When Harris (Mitch Pileggi) told Candace her services were no longer required, Emma began snooping into Candace’s life and discovered Harris was trying to get Candace to frame John Ross for a sex crime. Emma got her hands on Candace’s blue dress instead and posed with it in front of her mirror, not long after Harris chastised his daughter for getting involved with John Ross. “Are you deluded enough into thinking that he’s going to leave his wife for you, or are you just content in being his little piece on the side?” Harris asked.

• Drew returned to Southfork. Drew (Kuno Becker), wracked with guilt over the Ewing rig explosion, returned to Dallas and tried to apologize to Christopher (Jesse Metcalfe), who instead took out his rage on Drew and beat him up in a parking garage. After the fight, Christopher turned to Heather (AnnaLynne McCord), which infuriated Bo (Donny Boaz), while Drew retreated to Elena’s cottage on Southfork. While there, he stumbled across their father’s old land deed and angrily confronted Elena (Jordana Brewster), asking how long she had known J.R. switched the records. Elena told Drew she and Nicolas have a plan to take down the Ewings, but Drew was too upset by the discovery that J.R. had swindled their papi. “He wasted his life on a dream that was already taken from him — and I wasted mine, hating myself for not being able to save him. Everything that’s happened is because of J.R.’s betrayal. Their greed took everything from our family,” Drew said before running into the night.

• Nicolas got down to business, part 1. Nicolas (Juan Pablo Di Pace) assured Elena he would find Drew and protect him; little did she know her lover had his own business to take care of. Nicolas had a midnight meeting with two secret partners: Hunter McKay (Fran Kranz), Carter’s grandson, who wants to take down the Ewings; and Luis (Antonio Jaramillo), the Mexican drug dealer who cut a deal with Judith at the beginning of the season. Their scheme: Hunter is setting up a series of shell corporations to buy up the Ewing Global stock when it hits the market; Luis will then use the shares to gain a controlling interest in the company. As Nicolas told Luis, “By the time the Ewings and Cliff Barnes realize what happened, you’ll be in control of the company, free to launder billions of drug profits for years to come.”

• Nicolas got down to business, part 2. Luis threatened Nicolas’s children if their arrangement doesn’t pan out, but Nicolas didn’t seem fazed and even asked the drug lord for help with his next task: finding Drew. So much for keeping his promise to Elena to protect her brother, huh? But this wasn’t the first time Nicolas betrayed Elena in this episode. After she told him she couldn’t bring herself to show Pamela the video of John Ross and Emma, Nicolas got his hands on a copy of the video and forwarded it to Pamela’s phone, which was on her nightstand as she and John Ross made love.

What did you think of “Like a Bad Penny”? Share your thoughts in the comments section below and look for Dallas Decoder’s critique later this week.

Not afraid to lose

John Ross has never reminded me of J.R. as much as he does in “Like a Bad Penny.” To salvage a botched business deal with a powerful sheik, John Ross competes against him in a high-stakes poker game and deliberately loses, even though it means gambling away his prized “J.R.” wristwatch. Except the watch is never really at risk, is it? John Ross bets that by humbling himself in the sheik’s presence, he’ll win the man’s approval and eventually recover the timepiece, which is precisely what happens at the end of the episode. Could J.R. have played it any better?

At every turn in “Like a Bad Penny,” Josh Henderson evokes a little of the old Hagman magic. After John Ross throws the game and surrenders the watch, he offers the sheik a J.R.-esque, fake-sincere apology for bungling the deal in the first place. Then, John Ross huddles privately with Pamela and hints his defeat is part of a bigger scheme. This is the kind of conversation J.R. used to have with Sly on the original “Dallas”; whenever the chips were down, he’d let his loyal secretary — and by extension, the audience — know he had one more trick up his sleeve. John Ross does something similar here by offering Pamela a sly grin and a nugget of J.R.-style wisdom: “Sometimes the only way to win is to show the other person you’re not afraid to lose.”

Sure enough, in “Like a Bad Penny’s” most satisfying scene, the sheik’s son Nasir comes to Southfork, tells John Ross the sheik wants to do business with him after all — and returns the wristwatch. This is a poignant moment because it gets to the conflict brewing within John Ross. Earlier, when he loses the watch, he expresses his relief to Pamela, saying he wants to his “own man, instead of the man everybody else wants me to be.” John Ross seems sincere in that scene, but you can also see how happy he is when he gets the watch back and hears Nasir say, “My father saw J.R. in you.” I can’t help but feel sympathy for John Ross: He desperately wants to escape J.R.’s shadow, but he’s also as desperate as ever to make his father proud. (I also have to wonder: What kind of snow job did J.R. pull on his old friend the sheik to make him think he was such an upstanding, honorable businessman?)

I’m less enthralled with this episode’s depiction of Pamela. If John Ross is the “new” J.R., is she doomed to fulfill Sue Ellen’s old role of the subservient wife? Despite all the “us against the world” talk between John Ross and Pamela at the top of the hour, she’s relegated to the background during the big poker scene. Even worse, she’s still in the dark about her husband’s affair with Emma. (At this point, who doesn’t know John Ross and Emma are sleeping together?) Also worth mentioning: While John Ross eventually reclaims his watch, Pamela doesn’t get back her emerald earrings, which she puts up as collateral so he can enter the card game. It’s just like the old days, when Sue Ellen always seemed to pay the price for J.R.’s transgressions.

But not all the Sue Ellen/Pamela parallels are lamentable: In the poker scene, I love how costume designer Rachel Sage Kunin puts Julie Gonzalo in that spectacular black-and-white dress, evoking one of Linda Gray’s signature looks. Speaking of Gray: She’s very moving in Sue Ellen’s sanitarium scenes, although it’s hard to see the character slip back into her bad, old habits. During her conversation with Ann, Sue Ellen blames J.R.’s cheating for turning her into an alcoholic, which suggests she has forgotten all the lessons she learned during the original series about taking responsibility for her own life. Bobby also falls back into an old pattern when he insists on taking Sue Ellen home to Southfork over the objections of her doctor. This lapse I don’t mind, though, because the Ewings’ insistence on taking care of their own has always been one of “Dallas’s” charms.

“Like a Bad Penny,” the first “Dallas” script from Pierluigi D. Cothran, is directed by Millicent Shelton, who previously helmed “Trust Me,” the episode that brought back Judith Ryland in such memorable fashion. There are no coke-snorting shockers here, although it is kind of surprising to see “Dallas” adding more characters. Besides introducing Nasir, the sheik’s son, this episode brings back Drew; the Mexican drug lord Luis; and Hunter, the mysterious McKay offspring who surfaced in “Like Father, Like Son.” I recognize “Dallas” needs newcomers to interact with the core cast, but I would’ve preferred the show devote more attention to Sue Ellen’s sanitarium stay or to Elena, who needs clarity. She doesn’t mind lying to Christopher about Nicolas’s identity, but she refuses to show Pamela the video of John Ross and Emma? And can someone explain why both Ramos siblings blame the whole Ewing family for J.R.’s sins against their father?

I hope it doesn’t seem like I’m being overly critical, because there’s a lot about this episode to admire. Christopher’s entanglement with Heather and Bo has turned into one of the third season’s most effective storylines: The McCabes bring a touch of working-class humanity to the show, helping to keep it grounded, and all of the actors are doing good work. I also get a kick out of Emma’s investigation into Harris’s shenanigans in “Like a Bad Penny”; if ever she tires of being John Ross’s girl on the side, she could have a future as “Dallas’s” resident girl detective.

This raises a question: Who — or what — does the title of this episode refer to? Is it the John Ross/Emma video clip, which pops up repeatedly during the course of the hour? Is it Candace’s blue dress, which seems destined to join the list of “Dallas’s” most famous outfits? Is it Drew? Or is it J.R.’s watch? If it’s the latter, here’s hoping more of J.R.’s “bad pennies” turn up. I’m impressed by the clever way “Dallas” is using props to help keep his spirit alive, beginning with the J.R. Ewing Bourbon bottle in “D.T.R.” and now the wristwatch in “Like a Bad Penny.” The scene where Nasir stands at the Southfork gate and places the timepiece in John Ross’s hand is surprisingly moving; it’s almost as if J.R. himself has come home.

Let’s just hope John Ross remembers to check the watch for bugs.

Grade: B

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Blame game

‘LIKE A BAD PENNY’

Season 3, Episode 7

Telecast: April 7, 2014

Audience: 1.87 million viewers on April 7

Writer: Pierluigi D. Cothran

Director: Millicent Shelton

Synopsis: John Ross meets Nasir Ali and persuades his father, a powerful sheik, to supply the capital he needs to buy a controlling interest in Ewing Global once it goes public. Bobby and Ann get Sue Ellen released from the sanitarium and bring her to Southfork to recover. John Ross and Harris each dismiss Candace, who tells Emma about her father’s scheme to frame John Ross for a sex crime. Christopher tries to help Bo, who tells Heather he wants to reconcile. Drew returns to Dallas and vows revenge against the Ewings after discovering J.R. swindled the Ramoses out of their land. Elena refuses to show Pamela the video of John Ross and Emma, so Nicolas goes behind her back and sends it Pamela on his own. Nicolas also meets with his secret partners: Hunter McKay, who wants to bring down the Ewings, and the Mexican drug lord Luis, who wants to take over Ewing Global and use it to launder the cartel’s drug profits.

Cast: Jonathan Adams (Calvin Hanna), Kuno Becker (Drew Ramos), Emma Bell (Emma Ryland), Donny Boaz (Bo McCabe), Jordana Brewster (Elena Ramos), Dallas Clark (Michael), Gail Cronauer (Dr. Monika Englert), Jude Demorest (Candace Shaw), Juan Pablo Di Pace (Nicolas Treviño), Patrick Duffy (Bobby Ewing), Julie Gonzalo (Pamela Ewing), Linda Gray (Sue Ellen Ewing), Josh Henderson (John Ross Ewing), Janeen Howard (Nadia), Antonio Jaramillo (Luis), Ken Kercheval (Cliff Barnes), Fran Kranz (Hunter McKay), AnnaLynne McCord (Heather), Jesse Metcalfe (Christopher Ewing), Kevin Page (Bum), Mitch Pileggi (Harris Ryland), Brenda Strong (Ann Ewing), Pej Vahdat (Nasir Ali)

“Like a Bad Penny” is available at DallasTNT.com, Amazon.com and iTunes. Watch the episode and share your comments below.

I knew I’d found my look of the week the moment Pamela turned up in that black-and-white dress in “Like a Bad Penny,” “Dallas’s” latest episode. The dress was a brilliant choice for Julie Gonzalo’s character for many reasons, beginning with its symbolic value: Pamela increasingly reminds fans of her mother-in-law Sue Ellen, who long ago made black-and-white outfits one of her signature looks.

Pamela’s dress, a Stella McCartney design, is a work of art: It features a rounded neck, long sleeves and contrasting panels that create a sexy, hourglass illusion. I also love how Gonzalo moved in it: The first time we saw her wearing it, when Pamela and John Ross turned the corner and came down the hall in the Las Vegas hotel, notice how Gonzalo sashayed. She looked so striking, I’m surprised the show didn’t give her a bigger entrance; if ever a scene called for a dramatic, slow-motion walk, this was it.

The dress was costume designer Rachel Sage Kunin’s pièce de résistance in “Like a Bad Penny,” but let’s also hear it for hair stylist Charles Yusko, who once again showed off Pamela’s emerald earrings without putting her hair up. Instead, Gonzalo’s hair was swept back; it reminded me of one of Victoria Principal’s styles on the original “Dallas.” The dress may have been Sue Ellen, but the hair was Aunt Pam.

Not to be “out-blinged,” Josh Henderson sported a nifty tie tack and cuff links during the Las Vegas scenes, along with the much-loved J.R. wristwatch, which boomeranged back to him after he gambled it away. I also loved Emma Bell’s red, multi-zippered coat; it wasn’t a traditional trench coat, but it still made an ideal accessory for Emma, who went Nancy Drew on us and started snooping into her father’s scheme against John Ross. I also want to give one more nod to Jesse Metcalfe’s beard, which is slated to go away during next week’s midseason finale. Sigh.

Finally, a few thoughts on the sanitarium stylings of Sue Ellen Ewing. She spent much of this episode in a gray T-shirt and seemed to wear very little makeup, which allowed us to focus on Linda Gray’s moving, heartfelt performance. And yet Sue Ellen remained beautiful nonetheless. If there’s a lesson here, it’s this: Even when she’s wearing nothing more than a simple tee, Linda Gray still looks amazing.

What were your favorite looks in “Like a Bad Penny”? Share your thoughts in the comments section below and read more “Dallas Styles.”

Hold on, darlins

Here are the questions we’re pondering as we await tonight’s telecast of “Where There’s Smoke,” TNT’s latest “Dallas” episode:

• How will the Southfork fire start? It’s no secret there’ll be another Ewing inferno in “Where There’s Smoke” — TNT’s promos for the episode show Southfork engulfed in flames. The question is: How does the blaze begin? There are lots of people living on the ranch these days, including Bobby and Ann (Patrick Duffy, Brenda Strong) and John Ross and Pamela (Josh Henderson, Julie Gonzalo), along with Sue Ellen (Linda Gray), Christopher (Jesse Metcalfe), Emma (Emma Bell), Elena (Jordana Brewster) and Carmen (Marlene Forte). Does one of these characters start the fire through some act of household carelessness? Or could the fire be an act of revenge by one of the many enemies who have the Ewings in their crosshairs?

• What will Pamela do? “Like a Bad Penny,” the previous episode, ended with Nicolas (Juan Pablo Di Pace) sending Pamela the video of John Ross having sex with Emma. We didn’t see Pamela receive Nicolas’s message, but TNT’s promo shows her walking in on John Ross and Emma together in bed, so the truth is going to come out, one way or another. The question is: How will Pamela respond? She has a mixed record of dealing with bad news: When Christopher dumped her at the end of Season 1, she vowed revenge and turned into a bitch-on-wheels, but when she lost her twins during Season 2, she went into an emotional tailspin. Which Pamela will we see tonight?

• Will Sue Ellen stop drinking? After Bobby and Ann sprang Sue Ellen from the sanitarium, they brought her home to Southfork, where she rankled John Ross by supporting Bobby’s decision to hire his old college buddy, banker Cal Hanna (Jonathan Adams), to shepherd Ewing Global through its initial public offering. Of course, business is probably the last thing on Sue Ellen’s mind. Her doctor warned Bobby and Ann that Sue Ellen will be “a danger to herself” if she doesn’t get her drinking under control. In that light, it’s probably worth pointing out that in the “Where There’s Smoke” publicity photo above, Sue Ellen is standing next to a liquor decanter. What, if anything, should we make of that?

• What’s up with the Rylands? Everyone and their mother are out to get the Ewings these days. In the case of the Rylands, that’s literally true: Although Harris (Mitch Pileggi) has been growing closer to Ann, he’s also been trying to frame John Ross for a sex crime with help from his bordello-running mama, Judith (Judith Light), and one of her prostitutes, Candace (Jude Demorest). But Harris’s plan suffered a setback: When he fired Candace, she blabbed about the scheme to Emma, who somehow nabbed the dress Candace was planning to use to incriminate John Ross. What’s Emma going to do with the dress? And what will Ann, Harris and Judith have to say about it?

• What’s up with the cartel? When Drew (Kuno Becker) returned to Dallas, he discovered J.R. swindled the Ramoses out of their land, vowed to make the whole Ewing family pay for J.R.’s greed and then disappeared into the night. Nicolas promised Elena he would use “every resource” at his disposal to find Drew and, true to his word, he sought help from his secret business partner: the Mexican gangster Luis (Antonio Jaramillo), who is in cahoots with Nicolas and Hunter McKay (Fran Kranz) in a secret plot to seize control of Ewing Global and use the company to launder the Mendez-Ochoa cartel’s drug money. If Luis finds Drew, what will he do with him? Also, does Nicolas’s connection to Luis mean the cartel is the Treviño benefactor that Lucia (Angélica Celaya) referred to a few episodes ago?

• What unexpected twists will occur? It’s also unclear where Christopher’s relationship with Heather (AnnaLynne McCord) is headed, especially now that we know her hard-drinking ex-husband, Bo (Donny Boaz), wants to reconcile with her. But this isn’t the only “x” factor to watch out for tonight. Entertainment Weekly’s latest issue teases “Where There’s Smoke” will include “adultery, a diaphragm sabotaged by a pin and a super-graphic threesome that would make Caligula blush.” Also, according to EW, the hour will end with “at least” four characters’ lives in danger. Who will they be? More importantly: What will we all do with ourselves until “Dallas’s” third season resumes in August?

What “Dallas Burning Questions” are on your mind? Share your thoughts in the comments section below and watch TNT’s “Dallas” tonight at 9, Eastern and Pacific time, and 8, Central time.

Hangin’ with Ms. Cooper

Did you enjoy “Where There’s Smoke,” this week’s episode of TNT’s “Dallas”? Let’s discuss it during my next #DallasChat on Twitter, which I’ll hold Tuesday, April 15, from to 9 to 10 p.m. Eastern time.

Leave your suggested questions about “Where There’s Smoke” in the comments section below, tweet them to me @DallasDecoder or post them to my Facebook page. I’ll choose one or more questions and ask them during our discussion.

If you’re new to #DallasChat, here’s how it works: For one hour, I tweet a series of questions to my fellow “Dallas” fans. Each question is numbered and includes the hashtag #DallasChat, so your answers should do the same. Please include the show’s official hashtag, #DallasTNT, in your tweets too.

Here’s a sample exchange:

Q1. What do you think will happen to Pamela on #DallasTNT? #DallasChat

A1. May she come back fighting and give John Ross everything he has coming to him! #DallasTNT #DallasChat

Here are two tips:

• During the discussion, enter #DallasChat in Twitter’s search field. This will help you watch the search results so you can follow the conversation. Click “All” to see all the related tweets.

• Be sure to include #DallasChat in your tweets. This allows the other participants to see your contributions to the conversation.

I promise you’ll have fun. Don’t miss it!

Devil may call

Here’s what happened in “Where There’s Smoke,” TNT’s latest “Dallas” episode:

• Pamela learned the truth about John Ross and Emma. While John Ross (Josh Henderson) met with contractors to discuss adding a “master suite” for him and Pamela (Julie Gonzalo) at Southfork, she checked her phone and discovered the video that showed him having sex with Emma. Pamela told Sue Ellen and Ann (Linda Gray, Brenda Strong) about the video and was stunned to discover they already knew about the affair, so she angrily ordered them out of the room. But this was nothing compared to the reaction from Bobby (Patrick Duffy), who went ballistic when he discovered his wife had withheld the truth about John Ross and Emma’s fling. “What is it that’s so hardwired in you that you keep the most important events in your life secret from your husband?” Bobby shouted. He also told Ann that Emma was no longer welcome at Southfork. “Please tell your ex-husband he’s responsible for her safety from now on,” Bobby said.

• John Ross tangled with Judith. After Bum (Kevin Page) told John Ross that Candace (Jude Demorest) was a prostitute, John Ross realized Harris had been trying to use her to frame him. John Ross went to the brothel and told Judith (Judith Light) to call off her son. “I will do anything to protect my family,” John Ross said. As soon as he departed, Emma (Emma Bell) emerged from a secret passage in Judith’s office, where Judith warned her eavesdropping granddaughter that John Ross is only interested in Ryland Transport, not in Emma. Judith urged Emma to get revenge against her lover. “You have the pictures of John Ross with the 16-year-old — and you have the dress. Use them,” Judith said.

• Nicolas deceived Elena. Nicolas (Juan Pablo Di Pace) received a surprise visit from Drew (Kuno Becker), who asked for his help in striking back against the Ewings. Nicolas told Drew to be patient and allow his scheme with Elena to play out, but Drew didn’t want to hear it. “This is a blood feud that can only be settled with blood,” he said before running away. Nicolas called Luis (Antonio Jaramillo) and told him to find Drew before he ruined their plans. “I know I’m the one in debt, but it is the Ewing deal that puts the cartel much closer to overthrowing the Mexican government,” Nicolas said. He then went home to Elena (Jordana Brewster), who was beginning to realize her conspiracy against the Ewings was misguided. “Christopher never hurt my father. J.R. did. He’s dead,” Elena said. Nicolas assured her that they aren’t wrong to seek revenge — and when Elena wasn’t looking, he punctured holes in her diaphragm before they had sex.

• Ann and Harris grew closer. After incurring Bobby’s wrath, Ann showed up on Harris’s doorstep to let him know Emma will no longer be living at Southfork. Harris (Mitch Pileggi) and Ann reminisced about their marriage, and he told her he was sorry he let his mother come between them. Said Harris: “I loved you. I just think we never had a chance. We should never have remained in this house. Not with that woman living here. She destroys everything she ever touches. She destroyed the most important part of my life: you.” Harris then kissed Ann, but she turned and walked away — as a seething Judith watched them from an upstairs window.

• Christopher came to Heather’s rescue. After shaving off his beard, Christopher (Jesse Metcalfe) told Heather (AnnaLynne McCord) he’d like to get serious with her — and then she found out Bo had taken Michael and disappeared. With help from Sheriff Derrick (Akai Draco), Bobby, Christopher and Heather found Michael (Dallas Clark) with Bo’s brother Reece (Steven Walters), who told them that Bo blames the Ewings for all his problems. “Bo’s headed back to Dallas. He’s coming for everyone at Southfork,” Reece said.

• Things got hot. While Emma summoned John Ross to a hotel room, Sue Ellen approached Pamela at Southfork and explained that she was only trying to protect her daughter-in-law from the kind of pain she suffered at J.R.’s hands. “I’m not you. I’m not a weak, sniveling drunk like you,” Pamela said. She then used her phone’s GPS capabilities to track down John Ross at the hotel, where she walked in on him and Emma, who was clad in the green corset. “Love what you’re wearing,” Pamela said before removing her raincoat and revealing that she was wearing her green corset too. To the surprise of John Ross, Emma and the audience, Pamela then said, “May I join you?” The three of them began making out — and then Pamela started convulsing. As Emma dialed 911, John Ross discovered a bottle of pills in Pamela’s coat pocket and tried furiously to revive his wife. “Wake up, baby, wake up!” he pleaded.

• … And then things got hotter. Back at the ranch, a drunk Sue Ellen slipped into John Ross and Pamela’s bedroom and knocked back some of their liquor before passing out. Outside, Bo (Donny Boaz) approached Southfork with a cigarette in his mouth; moments later, when a fire mysteriously began inside the house, Bo could be seen watching the flames sweep through a room. Finally, Bobby and Christopher arrived and raced into Southfork. Bobby called out for Sue Ellen and Ann — until part of the ceiling appeared to cave in on him and Christopher and the words “To Be Continued” flashed onto the screen.

What did you think of “Where There’s Smoke”? Share your thoughts in the comments section below and look for Dallas Decoder’s critique later this week.

What’s she thinking?

Southfork catches fire again in “Where There’s Smoke,” although much of the heat in this episode comes from Pamela’s ménage a trois with John Ross and Emma. It’s shocking to see her make out with her husband and his mistress, although Pamela’s sudden seizure at the end of the scene proves an even bigger surprise. When I watched this cliffhanger for the first time the other night, I was left with a slew of questions: Is this an accident, or does the pill bottle in Pamela’s pocket mean she intentionally overdosed? Is she trying to kill herself, or does she merely want to scare John Ross and Emma? Could she be faking it?

It turns out we don’t have to wait until August, when “Dallas’s” third season will resume, for the answers to most of these questions: Yesterday, showrunner Cynthia Cidre told TV Line that Pamela was out to “punish” John Ross and Emma. “She wanted them to never be able to have sex again without thinking of her vomiting on them,” Cidre said. Well, OK then.

This still leaves open the question of whether or not Pamela is like Sue Ellen, which is probably the most interesting point to debate anyway. Earlier in the episode, Pamela puts down her mother-in-law, telling her she isn’t “weak” and “sniveling” like her. (Linda Gray’s reaction shots in this scene are heartbreaking.) By taking revenge against John Ross and Emma instead of hitting the bottle like Sue Ellen, Pamela seems to prove her point. On the other hand, if vengeance involves swallowing pills, is Pamela really all that different from Sue Ellen? Perhaps this storyline is meant to fit with one of this season’s broader themes, which is how “Dallas’s” younger generation is doomed to repeat the old guard’s mistakes.

But no matter how this cliffhanger is resolved, there’s no doubt the big sex scene has raised a ruckus among “Dallas” fans. Some say the series went too far by showing a three-way; others love the unexpected twist. I’m in the latter camp. Without question, the show is going out of its way to be provocative, but let’s face it: Sex has always been part of “Dallas’s” DNA. Isn’t this is the show that began with a teenage girl rolling around in the hay with a silver-haired cowboy? Besides, I don’t find John Ross, Pamela and Emma kissing and fondling each other as distasteful as seeing J.R. force Holly Harwood to have sex with him against her will, which is what happened in a 1983 episode. Now that was disturbing.

To me, the threesome feels like a fitting climax to a storyline that’s been building since the end of the previous season, when John Ross and Emma first cavorted in an Omni hotel room. I especially like how Cidre and Robert Rovner, who co-wrote this episode, bring everything full circle by bringing back Pamela and Emma’s green corsets. You also have to hand it to the actors: Josh Henderson does a nice job conveying John Ross’s hesitation about joining Pamela and Emma in bed — you can feel the character’s bewilderment — while Emma Bell always makes her character seem like she’s up for anything. Of course, the standout is Julie Gonzalo. Pamela hasn’t had much to do lately except gaze adoringly at John Ross, but “Where There’s Smoke” makes up for it. During the course of a single day, Pamela goes from feeling stunned to hurt to angry to aroused, and Gonzalo nails every scene. She’s become one of “Dallas’s” most reliable performers.

Surprisingly, I find the Pamela/John Ross/Emma cliffhanger more compelling than the Southfork fire, which lacks suspense. Is there any doubt Sue Ellen, Bobby and Christopher will all survive? A bigger problem: This fire seems like it comes from out of nowhere, unlike the 1983 version, when the inferno felt like the perfect way to end a season in which everything went to hell for the Ewings. Nevertheless, the “Where There’s Smoke” fire is a technical marvel. The special effects are superb, and whether or not it’s intentional, director Michael M. Robin and cinematographer Rodney Charters mimic some of the shots from the original fire. (You can see a side-by-side comparison on my Facebook page.)

More “Where There’s Smoke” highlights: Patrick Duffy is terrific in the scene where Bobby blows up at Ann, although as one Dallas Decoder reader pointed out on Twitter, Bobby is being a bit of a hypocrite. Yes, Ann probably should’ve told her husband about John Ross and Emma’s affair, but has Bobby gotten around to telling his wife that he framed Cliff for J.R.’s “murder?” Meanwhile, Ann and Harris’s kiss is surprisingly moving. This scene works not just because Brenda Strong and Mitch Pileggi are so good in their roles, but also because the show has taken its time telling their story, slowly revealing Ann’s vulnerability and Harris’s humanity.

I also like seeing Christopher and Heather grow closer — the ever-expanding McCabe clan is quickly surpassing the Ramoses as the show’s most believably down-to-earth family — and I’m glad this episode keeps the Mexican cartel and brothel business to a merciful minimum. It’s also good to see Elena acknowledge that J.R. — not Christopher — hurt her father; isn’t this what fans have been screaming at their TVs all season? The next scene, where Nicolas pokes holes in Elena’s diaphragm, is puzzling: By impregnating her, does he hope to control her? On the other hand, if this is the reason the Doors’ “Break On Through (To the Other Side)” was chosen for the episode-ending montage, I’m all for it.

Finally, like a lot of fans, I’m not sure what to make of the fact “North By Northwest” is playing on Sue Ellen’s TV when she gets drunk before the fire starts. In the movie, Cary Grant plays a man who unwittingly falls into a spy game but ultimately turns the tables on his enemies and takes control of the situation. Could this be a signal that Gray’s character is about to get back on track? Or is the film’s appearance nothing more than a sly plug for Turner Classic Movies, one of TNT’s sister channels?

I hope it’s the former. I’ve been patient while “Dallas” allows Sue Ellen’s relapse to play out, but now that she’s back where her fall from the wagon began — in the bedroom where J.R. once slept — it feels like this storyline has come full circle too. Is this where our beloved heroine begins the road back to sobriety? That’s the real cliffhanger, isn’t it?

Grade: B

_______________________________________________________________________________________________________________________________________________

Full circle?

‘WHERE THERE’S SMOKE’

Season 3, Episode 8

Telecast: April 14, 2014

Audience: 2.1 million viewers on April 14

Writers: Cynthia Cidre and Robert Rovner

Director: Michael M. Robin

Synopsis: Pamela sees the video of John Ross and Emma and lashes out at Sue Ellen and Ann when she realizes they knew about the affair. Bobby becomes angry at Ann for keeping the secret from him, which prompts her to turn to Harris, who kisses her. John Ross figures out Harris has been trying to frame him and tells Judith to call off her son, while Judith urges Emma to turn on John Ross. Drew tells Nicolas he wants to settle the feud with the Ewings “with blood,” while Nicolas sabotages Elena’s birth control when she begins getting cold feet about their revenge scheme. Pamela finds John Ross and Emma in a hotel room and has a threesome with them, only to begin convulsing after an apparent overdose. Bobby and Christopher learn Bo blames the Ewings for his troubles and come home to Southfork to find the house in flames with Sue Ellen passed out inside.

Cast: Kuno Becker (Drew Ramos), Emma Bell (Emma Ryland), Donny Boaz (Bo McCabe), Jordana Brewster (Elena Ramos), Dallas Clark (Michael McCabe), Jude Demorest (Candace), Juan Pablo Di Pace (Nicolas Treviño), Akai Draco (Sheriff Derrick), Patrick Duffy (Bobby Ewing), Julie Gonzalo (Pamela Ewing), Linda Gray (Sue Ellen Ewing), Josh Henderson (John Ross Ewing), Antonio Jaramillo (Luis), Judith Light (Judith Ryland), AnnaLynne McCord (Heather McCabe), Jesse Metcalfe (Christopher Ewing), Kevin Page (Bum), Mitch Pileggi (Harris Ryland), Brenda Strong (Ann Ewing), Steven Walters (Reece)

“Where There’s Smoke” is available at DallasTNT.com, Amazon.com and iTunes. Watch the episode and share your comments below.

Julie Gonzalo and Emma Bell donned Pamela and Emma’s green corsets again in “Dallas’s” midyear cliffhanger, but this time around, the question isn’t who wore it better — it’s who used the lingerie more effectively?

The corsets debuted earlier this season, when Pamela wore the sexy undergarment for John Ross on the night before their wedding. Little did she know Emma had worn an identical corset for him the previous evening, knowing it would spoil Pamela’s surprise. In “Where There’s Smoke,” this week’s episode, Pamela finally discovered John Ross and Emma’s affair and went to the Omni to interrupt their latest tryst. Emma had her corset on again, and as we soon discovered, Pamela was also wearing hers — part of a twisted plot to lure her husband and his mistress into a threesome before going into an overdose-fueled seizure on them.

Some fans feel the three-way sex scene was too graphic, but I was too busy pondering the symbolic value of the costumes: In the earlier episode, Emma wore her corset in a scheme to undermine John Ross and Pamela’s marriage; in “Where There’s Smoke,” Pamela wore hers in a scheme to ruin John Ross and Emma’s affair. Like J.R.’s wristwatch and Candace’s blue dress, it’s another example of how costumes play an important role in “Dallas’s” storytelling.

Two more looks in “Where There’s Smoke” caught my eye. Costume designer Rachel Sage Kunin smartly dressed Josh Henderson in another three-piece suit, which helped project John Ross’s sense of confidence when he finally met Judith Ryland. And even though many of us were heartbroken when Christopher shaved off his beard, the loss was eased a bit by seeing Jesse Metcalfe sport that nifty brown varsity jacket. Not only is the jacket stylish — the lettermen look is big in menswear this spring — but what could be a better accessory for all-American Christopher?

Let’s just hope the Ewings know a good dry cleaner; that jacket is going to be full of soot come August.

What were your favorite looks in “Where There’s Smoke”? Share your thoughts in the comments section below and read more “Dallas Styles.”

Three’s company

You’re invited to join Dallas Decoder’s next #DallasChat on Twitter, which I’ll hold Monday, April 21, from 9 to 10 p.m. Eastern time. We’ll continue last week’s conversation about the Season 3 midyear cliffhanger — and discuss any other topics that might come up — so our theme will be: “Three for All.”

Leave your suggested questions in the comments section below, tweet them to me @DallasDecoder or post them to my Facebook page. I’ll choose one or more questions and ask them during our discussion.

If you’re new to #DallasChat, here’s how it works: For one hour, I tweet a series of questions to my fellow “Dallas” fans. Each question is numbered and includes the hashtag #DallasChat, so your answers should do the same. Please include the show’s official hashtag, #DallasTNT, in your tweets too.

Here’s a sample exchange:

Q1. What do you think will happen when Pamela recovers from her overdose? #DallasTNT #DallasChat

A1. All I’ll say is this: The Barnes-Ewing feud is back on! #DallasTNT #DallasChat

Here are two tips:

• During the discussion, enter #DallasChat in Twitter’s search field. This will help you watch the search results so you can follow the conversation. Click “All” to see all the related tweets.

• Be sure to include #DallasChat in your tweets. This allows the other participants to see your contributions to the conversation.

No one will be left out of tonight’s discussion. Please join in!

Never turn your back on a Ewing

We’ll find out who survived the Southfork fire when “Dallas’s” third season resumes on Monday, August 18, but there’s an even bigger cliffhanger afoot: Will TNT give the series a fourth season? To ensure the cable channel’s executives make the right decision, here are 10 reasons TNT should renew “Dallas” again.

Watch like you mean it

10. “Dallas” is TNT’s most-watched show (right now). “Dallas’s” midseason cliffhanger episode clocked 2.1 million viewers on April 14, making it TNT’s most-watched regularly scheduled show last week. Only the cable channel’s NBA coverage performed better. One week earlier, “Dallas” finished first overall, besting basketball and the ever popular “Law & Order” reruns. TNT, surely you wouldn’t drop your top show at the moment!

Audiences grow back too!

9. “Dallas’s” ratings are growing. Yes, we all know “Dallas’s” numbers dipped this year, but they’re bouncing back. Since March 17, when the show hit a series low of 1.78 million viewers, “Dallas’s” audience on Mondays at 9 p.m. has grown 15 percent, with that cliffhanger episode hitting 2.1 million viewers. This means for the past five consecutive weeks, the show’s numbers went up.  This is what’s known as “momentum,” TNT.

Not that kind of hit, dude

8. “Dallas” is a DVR hit. Last season, roughly 800,000 DVR users recorded “Dallas” each Monday night and watched it within the next three days. This number has pretty much held steady this year, lifting “Dallas’s” Monday night average of 1.9 million viewers to 2.8 million viewers overall. This means “Dallas” has one of the most reliable DVR audiences in prime-time cable television. That’s nothing to skip over, TNT.

Real. Love.

7. Adults love “Dallas.” This might be the most important number of all: “Dallas” is averaging 1.2 million adults between ages 25 and 54 (including DVR users). Why should you care? First, TNT targets 25-to-54-year-olds, so these are the viewers the channel cares about most. Second, last year, “Dallas” averaged 1.5 million 25-to-54-year-olds, so even though the show has declined overall, it’s held fairly steady with TNT’s favorite viewers.

Who knew?

6. “Dallas” is TNT’s biggest show on social media. “Dallas” has 1.6 million Facebook “likes” and 88,800 Twitter followers — more than any other TNT series. In fact, TNT’s biggest hit, “Major Crimes,” has only 488,000 Facebook likes and 12,500 Twitter followers. That’s right: “Dallas” is three times as big as “Major Crimes” on Facebook and seven times as big on Twitter. Suck on that, “Major Crimes”! (Sorry, “Major Crimes.” Couldn’t resist.)

Feel the heat

5. “Dallas” has buzz. “Dallas” raised a ruckus with that notorious three-way in the midseason cliffhanger, but the show has made its mark in other areas too. Entertainment Weekly went gaga over Judith Ryland’s coke-snorting scene, and on separate occasions, Judith and Sue Ellen each wound up near the center in EW’s weekly “Bullseye” feature. You know what show hasn’t hit EW’s “Bullseye” this year? “Major Crimes.” Just sayin’.

Love. Really?

4. Metacritic loves “Dallas.” From a creative standpoint, “Dallas” has never been better, but don’t take my word for it: Users at Metacritic, the online review aggregator, currently give the show’s third season a score of 8.6 (out of 10), up from a 6.7 for Season 2 and a 7.3 for Season 1. This means “Dallas” outranks the current cycles of “Scandal” (7.4), “The Walking Dead” (7.4), “Downton Abbey” (7.3) and, yes, “Major Crimes” (5.5).

A star is born

3. Two words: “Josh Henderson.” “Dallas” is blessed with one of the strongest acting ensembles on television, but this season, Henderson has emerged as first among equals. He’s delivering a remarkably complex performance, alternately making John Ross a source of scorn and sympathy. (Remind you of someone else we once knew?) Trust me: Henderson is going to be a big star someday. Hold on to him as long as you can, TNT.

Always our darlin’

2. Two more words: “Linda Gray.” As much as we love everyone on “Dallas” — and we adore them all! — Gray is special. Our admiration for her knows no limits. Dare I suggest she’s the main reason most of us watch, DVR, tweet and Facebook the show? No one does a better job evoking the old Hagman magic, and if there’s any justice in the world, TNT will renew “Dallas” and campaign like hell to get Gray the Emmy she deserves.

Grrr

1. If you don’t renew “Dallas,” Bobby Ewing will be pissed. And take our word for it: You don’t want him mad at you. Just ask Ann.

Why do you think TNT should renew “Dallas”? Share your thoughts in the comments section below and read more Dal-Lists.

Young love

Memorandum

To: Jeff Bewkes, chairman and chief executive officer, Time Warner Inc.

From: Dallas Decoder

Re: “Dallas”

So TNT wants to start chasing younger viewers, huh?

That’s what you told investors yesterday, and it sounds like a smart plan to me. As you pointed out, TNT traditionally targets somewhat older audiences — a strategy that served the cable channel well for a long time, but not so much these days.

The numbers tell the tale: According to the Los Angeles Times, TNT’s prime time audience has declined 13 percent during the past five years, from 2.2 million to 1.9 million viewers, while the median age has gone up, from 47 to 52 years.

So yeah, I see why you think it’s time for a new strategy.

The good news is your lineup includes “Dallas,” a show that could become a cornerstone in your plans to rebuild TNT.

Yes, it’s true “Dallas’s” ratings are down: The show averaged 2.7 million viewers last season, including roughly 958,000 adults between ages 18 and 49, the demographic often used to gauge a show’s youth appeal. This year, “Dallas” is averaging 1.9 million viewers, including roughly 630,000 18-to-49-year-olds.

But here’s the thing: Even though “Dallas’s” numbers have dipped, it still performs pretty well when compared to TNT’s other original dramas — especially where the younger crowd is concerned. For example, this winter, “Rizzoli & Isles” averaged about 952,000 adults between ages 18 and 49, while “Perception” grabbed approximately 574,000 viewers in this category.

Also, all the shows boost their audiences when you add DVR users who record the programs and watch them later in the week. Sometimes, the increase is dramatic: Thanks to DVR users, “Dallas’s” season premiere hit 1.4 million 18-to-49-year-olds, while the midseason cliffhanger snagged 1 million viewers in the demo.

There’s also this: “Dallas” is TNT’s biggest show on social media — and we all know how the kids love to post, tweet and share these days. “Dallas’s” official Facebook page has 1.6 million “likes,” while the show’s Twitter feed has 89,000 followers. By comparison, “Major Crimes,” TNT’s most-watched show, has 491,000 Facebook likes and 12,500 Twitter followers.

You also told investors you think TNT’s programming should be a little edgier. Well, my goodness, did you see “Dallas’s” midseason finale? It wasn’t everybody’s cup of tea, but it sure got people talking.

I guess it all comes down to this, Mr. Bewkes: As the head honcho at Time Warner — the conglomerate that owns TNT, the channel that televises “Dallas,” and Warner Bros., the studio that produces it — the show’s future rests in your hands.

And since you’re a smart fellow, surely you can you see how “Dallas” can serve as your bridge to the younger, media-savvy viewers you’ve set your sights on. It’s one more reason this show deserves a fourth season.

A word of caution, though: Just because TNT is going to start chasing younger viewers, don’t get any wacky ideas about sidelining “Dallas’s” veterans. This show has always had multi-generational appeal, and even though fans love the new generation of buff, young Ewings running around Southfork these days, we still want longtime favorites like Bobby and Sue Ellen to get plenty of screen time.

In other words: Mess with Miss Texas and you’ll receive a much different memo from Dallas Decoder.

Why do you think TNT should renew “Dallas”? Share your thoughts in the comments section below and read more Dallas Decoder opinions.

John Ross and Pamela Ewing are “Dallas’s” most popular couple, but the midseason cliffhanger ended with their marriage in turmoil: After Pamela discovered John Ross was cheating with Emma, she tried to sabotage the affair by initiating a three-way with her husband and his mistress — only to begin convulsing after an apparent drug overdose.

Your #DallasChat Daily question: If Pamela survives, should she forgive John Ross?

Share your thoughts in the comments section below. Remember the “Miss Ellie Rule”: Keep it civil. Have a great discussion!

Julie Gonzalo (Courtesy Regard Magazine)

It’s no secret your Dallas Decoder is a big fan of Julie Gonzalo — a.k.a. Pamela Rebecca Barnes Ewing Ewing on TNT’s “Dallas” — so I was hugely excited to speak to her recently. Gonzalo was gracious, insightful, down-to-earth and generally awesome. She discussed Pamela’s many ups and downs — and offered a hint of what we’ll see when “Dallas” resumes its third season on Monday, August 18.

Pamela has probably evolved more than any other “Dallas” character during the past two-and-a-half seasons. Do you agree?

Yeah, I think so. It’s definitely one of those roles where every season, we see a different side of her. It’s very exciting as an actor to be able to rediscover her every year and to find something new to play around with.

That’s what’s so impressive about you: You do it all so well! You can be really sweet, but you can also be a bitch on wheels.

Well, thank you! [Laughs]

I mean that as a compliment, I hope you know.

I’m taking it as a huge compliment! [Laughs] That’s the idea, especially on a show like this, where you need to sell vengeance and you need to sell sweetness, sometimes in the same scene.

Good girl gone bad

So which side do you like to play best?

Oh, the naughty side. There’s something so fun about doing things you don’t do in your normal life. And on “Dallas,” the villains are usually the most memorable characters — everybody wants to see what they’ll be doing next. When we were working on Season 2 [when Pamela was out for revenge], I was having a blast. I really loved being conniving and backstabbing.

What’s really striking to me is just how popular Pamela is. I hear it all the time from my fellow fans. They love her.

To hear that makes me so, so happy.

Oh, my goodness. I hope you’re aware of how devoted people are to Pamela. It doesn’t matter what she does, the fans root for her.

That’s amazing, because sometimes I feel like, “Which Pamela are they talking about?” The fans love the original Pamela [Victoria Principal’s character], so sometimes I’m not sure if they’re talking about my character or hers.

Well, she has a loyal and passionate following, but you do too.

That’s just incredible. I have so much fun playing Pamela and I hope that translates [on screen]. I think there are so many beautiful, fully formed characters on the show, so I’m very flattered to hear fans like her.

I think a real turning point in the character’s evolution came last season, when Pamela lost her babies.

Yeah, absolutely. I think everything changed for her in that moment. That probably was one of my most challenging episodes. The grieving period was so difficult. I’m not a parent — and I never want to know what it feels like to lose a child — so it’s hard to go into an emotion like that. And it was really tough to maintain yourself in a really sad moment. You go home and you’re asking yourself, “Why am I so sad?” You never want to bring your work home, but there are points where it overtakes your life a little bit, and that was one of those times.

It was a courageous performance for a lot reasons, and one of them is that Pamela didn’t look her best in that episode — and you’re very beautiful.

Well, thank you. But no, I loved that. I sometimes have problems when we’re doing a morning scene and everyone’s hair and makeup are perfect. I think, “No, this isn’t how it happens in real life!” [Laughs] Even if you have all the money in the world, you don’t wake up looking amazing. You just don’t. But in that episode, I wanted her to look bad because it was a bad moment.

Pushing the envelope

Let’s shift gears and talk about another one of Pamela’s memorable moments: the threesome scene from the midseason cliffhanger. What can you tell me about that?

Well, what do you want to know? [Laughs]

I want to know it all!

I’m sure you do! The funny part is how I found out about it. Cynthia [Cidre, the co-executive producer] said it so nonchalantly: “Yeah, you’re going to come into the room, and you’re going to catch [John Ross and Emma] together, and then you’re going to join them.” She said it like it was no big deal. So I thought, “Oh, OK. It’s no big deal.” But I also thought, “Why not? Let’s push the envelope a little.” I mean, “Dallas” is known for that.

Absolutely.

I didn’t realize people were going to see it and say, “What the. … ” [Laughs] But I still don’t see it as a big deal. There are things out there that are much more explicit.

Still, it’s got to be weird to have the crew around while you’re making out with two other people.

Totally, but it’s also a very respectful atmosphere and a very respectful crew. And we’re all so comfortable with each other. By that point, Josh [Henderson] and I had become really good friends and Emma [Bell] and I had been hanging out a lot, so it was one of those things that was like, “OK, it’s another day at work.” [Laughs]

So what do you think was going through Pamela’s mind when she walked into that hotel room and saw John Ross and Emma?

At that moment, she had already downed a bottle of pills. [Joining them] wasn’t the approach that people expected from her, being the strong woman that she is. But I also like the fact that nobody could predict that. I like the idea that even strong characters have weak moments, especially when they’re being hurt. She really believed John Ross was made for her. They’re very similar creatures. So once she realized he wasn’t the man she thought he was, she went a little crazy. Anybody would, I think.

And tell me about the famous green corsets you and Emma wore this season. How did you feel about having to spend so much time in that thing?

It’s one of those things that you can’t really take deep breaths in. [Laughs] As any actress will tell you, when you’ve got to wear a costume like that, you’re thinking, “Oh, God. I can’t eat this or I can’t eat that. I have to drink a lot of water and I have to go to the gym.” Because you’re not just putting it on for the people in front of you — you’re putting it on for a TV show that will be watched over and over again for years to come. But to me, it was a beautiful costume. I thought both characters looked great.

Dressed to thrill

I agree, although my favorite outfit of the season was Pamela’s black-and-white dress.

Wasn’t it beautiful? The moment I put it on with Rachel [Sage Kunin, the costume designer], I said, “Yep, this is it.” And the tag said it was a Stella McCartney and I said, “Of course, it’s a Stella McCartney.” I’m a huge fan of hers. Huge fan of her dad too.

Is it fun to have an episode like that, where you get to kick it up a notch?

Yeah, you look forward to those episodes. Rachel’s so great at picking out beautiful clothing. I always say, “Ooh, I want to wear this!” And Rachel will say, “No, it’s not appropriate for this scene,” and I’m like, “Dammit!” So when your character gets to go to Vegas and do the hair and wardrobe differently, that’s always very exciting.

I think that outfit is going to be remembered as one of the iconic “Dallas” looks.

Really?

Oh, absolutely. It was kind of a tribute to Sue Ellen, who had so many memorable black-and-white costumes.

Yeah, and I think we played up a lot of similarities between Pamela and Sue Ellen — and I love that. During the second half of the season, there are a lot of moments between our characters. I really enjoy working with [Linda Gray]. I’m always telling her, “You know, it would be my honor to be half the woman you are.”

She’s so cool, and I’m thrilled to hear you two are going to have more scenes together. Pamela was pretty mean to her in the midseason cliffhanger.

Well, she had her reasons. [Laughs]

Buddies

Overall, it seems like the cast is a pretty tight-knit group.

Totally. Josh has become one of my closest buddies at work. He’s the one I work with most, and we really have a great time working together. And I was just on the phone with Jordana [Brewster] the other day. We’re trying to see each other [during the hiatus]. I really appreciate these people, and I really like these people. I mean, if the show were to end tomorrow, I know I’ll still have a friendship with most of them.

That’s not unlike what happened on the original show.

Right. You look at Linda and Larry and Patrick [Duffy]. You see the love they have for one another and how beautiful their friendship is, and it’s all because of the show. I hope that can be us one day.

You touched on this a few moments ago, but how do you prepare for your scenes? How do you “become” Pamela? Linda told me she doesn’t feel like her character unless she has Sue Ellen’s heels on.

It definitely helps me to be in costume. I don’t think I look anything like Pamela unless I’m in her wardrobe. Energy-wise, I don’t feel like her. When I’m working with my coach, I’m Pamela, but I don’t fully become her until my hair is done and my makeup is done. I look in the mirror and I say, “Oh, there she is.”

Working with a coach — that’s a part of the process I think a lot of fans aren’t aware of or tend to overlook.

A lot of us have coaches. I always work with a coach because I never want to feel like I know everything. As an actor, I never want to stop learning. The more I work, the more I want to learn. If I ever start to think, “No, it’s cool, I got this, I can wing it,” then I don’t want to be an actor anymore. I just did an acting workshop last weekend that focused on voice and movement and all these different things. You just never want to stop learning.

I have such admiration for people like you, who can get up and perform in front of an audience or a camera.

I was just in New York and I was lucky enough to see “All the Way” with Bryan Cranston and my mouth was on the floor. He’s phenomenal. And I bet he doesn’t feel like he knows everything, although to me he’s perfect. It’s like, “You’re cooked. You’re done. You’re good.” [Laughs] But again, you just want to keep advancing yourself and surrounding yourself with people you know you can learn from.

Well, speaking of great actors, tell me about working with Mr. Hagman.

Ah, what a class act. He was divine. He really was such a beautiful energy to be around, as he would say. He said we’re all energies. I did one scene with him, and it’s funny because I don’t really keep any of my scripts, but I did save those pages. It’s the scene where Pamela is talking to Frank in her office, and J.R. walks in. And Larry was wonderful, absolutely wonderful. He was such a flirt too. [Imitating him] “You should keep those pants. Those pants belong to you.” And I’m like, “Well, thank you. I can only wonder what you’re checking out.” I was very lucky to have that scene with him.

It’s one of my favorite scenes from the new series.

Really?

Oh, absolutely. It’s another scene that honors the past. It evokes all the great confrontations he had with Victoria Principal. And it’s great because you really held your own against him.

I tried, I tried! You know, when we were rehearsing the scene, I just wanted to do it with a smile. I thought, she’s so giddy because J.R. Ewing is in her office. He’s here to talk to her. I remember the director saying, “I didn’t see it with a smile, but it works.”

And how do you enjoy working with your TV parents, Ken Kercheval and Audrey Landers?

Oh, Daddy and Mommy. He’s such a trip. He’s great, and she’s so sweet. Pamela and Afton don’t really get along, so it’s hard to roll your eyes at your mother. I tell her, “Oh, you’re so nice.” It was really lovely to have her at the wedding.

Always a bride

The wedding! That was a fun episode too.

It was! I’m just so bummed they had to cut a lot of it out.

My mom was furious we never got to see the vows.

The vows were really cute. They were really meaningful. There was so much subtext. And then there was a scene of them dancing, and John Ross is singing to her.

Aww.

I know. I really hope they put it on DVD because it’s really beautiful. And Josh sings really well. I was laying my head on his shoulder and he’s singing a Blake Shelton song. There’s a cute little interaction between them, and then you kind of start to see a little doubt in her. It was a tiny little hint in there. When they cut it, I was like, “Dammit, no!” [Laughs]

So what can you tell us about the second half of Season 3?

The second half, in my opinion, is even better than the first, at least for my character. There’s a lot more Pamela that we’ll get to discover. There’s so much that, I think, is going to take people by surprise. There’s definitely a stronger Pamela coming.

That makes us fans happy. We love the strong Pamela best.

Me too. She’s so much fun. I love when she has the upper hand. She walks into a room and owns it. It’s funny because playing someone so confident — so comfortable with who they are — has made me more confident. So I definitely owe that to her.

Share your comments below and read more Dallas Decoder interviews.

None of “Dallas’s” women characters worked outside their homes when the original show began in 1978, but that gradually changed: Pam got a job at The Store and later entered the oil industry, Lucy modeled and waitressed, Donna became a politico, and Sue Ellen dabbled in fund-raising, lingerie and filmmaking. On TNT’s sequel series, Pamela is co-owner of Ewing Global and Elena works at the company, while Judith calls the shots at Ryland Transport and the brothel.

Your #DallasChat Daily question: How would you describe “Dallas’s” depiction of working women? Have things improved, worsened or stayed the same?

Share your thoughts in the comments section below. Have a great discussion!

Contenders

Will “Dallas” receive Primetime Emmy nominations this year? The conventional wisdom says no, although at this early stage, the TNT drama is a contender — along with more than 100 other shows.

The Academy of Television Arts and Sciences released the preliminary ballots this week. Academy members are asked to vote for their favorites in each category through June 20; the final nominations will be announced July 10.

The preliminary ballots list hundreds of shows and individuals. Most submissions come from networks and production companies, although anyone can pay the entry fee and submit themselves for consideration.

In the dramatic series categories, the preliminary ballots list Patrick Duffy and Josh Henderson as lead actor contenders, while Linda Gray is the show’s sole candidate for a lead actress nomination.

The other “Dallas” cast members — Emma Bell, Jordana Brewster, Juan Pablo Di Pace, Julie Gonzalo, Jesse Metcalfe, Mitch Pileggi and Brenda Strong — are listed in the supporting categories. The ballots also list two guest stars: Judith Light and AnnaLynne McCord.

“Dallas” is also one of 108 shows on the ballot for best dramatic series, while director Steve Robin is up for a nomination for helming “Like Father, Like Son,” the episode where John Ross confronts Sue Ellen over her drinking.

It may be heartening to see “Dallas” listed in these races, but don’t get your hopes up, fellow fans. Each category has only a handful of available slots for nominations, which are expected to go to critical darlings such as “Breaking Bad,” “Game of Thrones” and the resurgent “The Good Wife.”

It’s also worth remembering “Dallas’s” tortured history with the Emmys: Although Barbara Bel Geddes won the lead dramatic actress race in 1980, the series picked up only a handful of nominations during its heyday. The tradition continued last year, when the academy snubbed Larry Hagman in the supporting actor race and shamefully omitted him from the special tributes during the Emmy broadcast.

The 2014 ballots also contain a few oddities where “Dallas” is concerned: The “D” in Di Pace’s name isn’t capitalized, Gonzalo’s character is listed as “Rebecca Sutter” and voters are asked to consider Light’s work in “Venomous Creatures,” a second-season episode that falls outside this year’s eligibility time frame.

Do you think “Dallas” deserves Emmy nominations this year? Share your thoughts in the comments section below.

Will one of them be “Hurt”?

We don’t know what will happen during the second half of “Dallas’s” third season, but we do know what the episodes will be called and when we might see them:

• TNT posted the titles online last week. They are: “Denial, Anger, Acceptance” (Episode 34), “Dead Reckoning” (Episode 35), “Hurt” (Episode 36), “Victims of Love” (Episode 37), “Boxed In” (Episode 38), “Endgame” (Episode 39) and “Brave New World” (Episode 40).

• TNT hasn’t released airdates, except to say “Denial, Anger, Acceptance” will be shown Monday, August 18. According to IMDb, TNT will televise the remaining episodes on successive Mondays, with one exception: The last two episodes, “Endgame” and “Brave New World,” will each be shown September 22.

Nothing is official until TNT confirms it, of course. But if the airdates on IMDb are accurate, “Dallas” will wrap up its third year on what will probably be the first night of the 2014-15 television season, when the broadcast networks will be going all out to lure viewers. In other words: The competition will be tough.

Also, trivia buffs, take note: The original “Dallas” had an “End Game” (Bobby gets shot!) and a “Dead Reckoning” (Miss Ellie boots Clayton off Southfork!), while “The Sopranos” had a “Denial, Anger, Acceptance” (Meadow does speed!).

What do you hope to see when “Dallas” returns? Share your comments below.

Two of a kind

You’re invited to Dallas Decoder’s next #DallasChat on Twitter, which I’ll hold Monday, June 23, from 9 to 10 p.m. Eastern time. We’ll discuss “Dallas’s” dynamic duos, so our theme will be “Coupling.”

If you have ideas for questions, leave them in the comments section below, tweet them to me @DallasDecoder or post them to my Facebook page. I may choose one or more questions and ask them during our discussion.

New to #DallasChat? Here’s how it works: For one hour, I tweet 10 questions to my fellow “Dallas” fans. Each question is numbered and includes the hashtag #DallasChat, so your answers should do the same. Please include the show’s official hashtag, #DallasTNT, in your tweets too.

Here’s a sample exchange:

Q1. Who is your favorite couple on #DallasTNT? #DallasChat

A1. John Ross and Pamela. They’re this generation’s J.R. and Sue Ellen! #DallasChat #DallasTNT

Two tips:

• During the discussion, enter #DallasChat in Twitter’s search field. This will help you watch the search results so you can follow the conversation. Click “All” to see all the related tweets.

• Be sure to include #DallasChat in your tweets. This allows the other participants to see your contributions to the conversation.

I look forward to seeing you tonight!

Melinda Clarke (Getty Images)

“Dallas” has cast Melinda Clarke as Tracey McKay, one of Bobby Ewing’s girlfriends from the original series. Clarke will appear on the TNT drama during the second half of the third season, which resumes Monday, August 18.

Tracey was introduced during the original “Dallas’s” 12th season and was played by Beth Toussaint. The character is the daughter of Ewing rival Carter McKay, played by George Kennedy, and was briefly romanced by Bobby (Patrick Duffy), but the affair ended when he tangled with Tracey’s drug-dealing brother Tommy, played by J. Eddie Peck. Tracey briefly returned to the series the following season when Tommy was killed off.

This season, TNT’s “Dallas” introduced Carter’s grandson Hunter (Fran Kranz), a childhood friend of John Ross and Christopher’s who is secretly helping Nicolas (Juan Pablo Di Pace) with his scheme against the Ewings.

A TNT spokeswoman confirmed the casting of Clarke, who is best known for her roles on “The O.C.” and “Nikita,” along with a recurring gig on “C.S.I.: Crime Scene Investigation” as Lady Heather, a dominatrix. Clarke also appeared alongside Julie Gonzalo in episodes of “Nikita” and “Eli Stone.”

TNT has provided no details on Tracey’s storyline, although showrunner Cynthia Cidre previously hinted one of Bobby’s old flames could return and provide a new obstacle for him and Ann (Brenda Strong). Ultimate Dallas reported the character’s return yesterday.

There’s also no word on why Toussaint isn’t returning as Tracey. Toussaint’s most recent television role was on “The Young and the Restless” in 2006, according to her IMDb profile.

What do you think of Melinda Clarke’s casting as Tracey McKay? Share your comments below and read more of Dallas Decoder’s news coverage.

Talk about fireworks

You’re invited to Dallas Decoder’s next #DallasChat on Twitter, which I’ll hold Monday, June 30, from 9 to 10 p.m. Eastern time. Since Independence Day is right around the corner, our theme will be “Red, White and Ewing.”

If you have ideas for questions, leave them in the comments section below, tweet them to me @DallasDecoder or post them to my Facebook page. I may choose one or more questions and ask them during our discussion.

New to #DallasChat? Here’s how it works: For one hour, I tweet 10 questions to my fellow “Dallas” fans. Each question is numbered and includes the hashtag #DallasChat, so your answers should do the same. Please include the show’s official hashtag, #DallasTNT, in your tweets too.

Here’s a sample exchange:

Q1. Who is #DallasTNT’s most patriotic character? #DallasChat

A1. I vote for John Ross. He stands for truth, justice and the Ewing way! What could be more American than that? #DallasTNT #DallasChat

Two tips:

• During the discussion, enter #DallasChat in Twitter’s search field. This will help you watch the search results so you can follow the conversation. Click “All” to see all the related tweets.

• Be sure to include #DallasChat in your tweets. This allows the other participants to see your contributions to the conversation.

This should be another fun discussion. Don’t miss it!